Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Perubahan Balungan Lampahan dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
View through CrossRef
The Changes on Balungan Lampahan in Pakeliran of Purwa Puppet of Surakarta Style.This research aims to increase the appreciation of the shadow puppet purwa pakeliran according to the times and society. Balungan lampahan as the basic framework, is static and never to be changed, but then it is dynamic and full of changes. The method used is descriptive comparative, while data analysis is based on the structure theory of the wayang play by Alton L. Becker and Arnold Hauzer's social change. The results can be found in three forms of balungan lampahan namely: (1) overnight, (2) compact, and (3) solid. Change is partial and total due to changes in the society that supports wayang, namely as the art of royal ritual traditions (monarchy and ritualism) turning into modern art and entertainment (modern and profane). Thus, the change in balungan lampahan represents changing times and society, so it needs to be appreciated by the puppeteers for the pakeliran.Keywords: changes; balungan lampahan; pakeliran; shadow puppets; Surakarta style
Title: Perubahan Balungan Lampahan dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
Description:
The Changes on Balungan Lampahan in Pakeliran of Purwa Puppet of Surakarta Style.
This research aims to increase the appreciation of the shadow puppet purwa pakeliran according to the times and society.
Balungan lampahan as the basic framework, is static and never to be changed, but then it is dynamic and full of changes.
The method used is descriptive comparative, while data analysis is based on the structure theory of the wayang play by Alton L.
Becker and Arnold Hauzer's social change.
The results can be found in three forms of balungan lampahan namely: (1) overnight, (2) compact, and (3) solid.
Change is partial and total due to changes in the society that supports wayang, namely as the art of royal ritual traditions (monarchy and ritualism) turning into modern art and entertainment (modern and profane).
Thus, the change in balungan lampahan represents changing times and society, so it needs to be appreciated by the puppeteers for the pakeliran.
Keywords: changes; balungan lampahan; pakeliran; shadow puppets; Surakarta style.
Related Results
Visualisasi Wayang Beber Pacitan dalam mendukung dialog tokoh
Visualisasi Wayang Beber Pacitan dalam mendukung dialog tokoh
Abstrak Indonesia merupakan Negara yang mempunyai banyak budaya dan artefak peninggalan nenek moyang salah satu yang mendunia adalah Wayang, Wayang di Indonesia sangat banyak jenis...
Eksplorasi Balungan Gending Gaya Yogyakarta dan Surakarta
Eksplorasi Balungan Gending Gaya Yogyakarta dan Surakarta
Balungan gending merupakan acuan pengrawit dalam menentukan pola permainan ricikan. Secara visual, balungan gending berbentuk susunan nada-nada yang sudah diatur tinggi rendah maup...
Keterpaduan Garap Pakeliran dalam Adegan Sekel Galih Wayang Jekdong Lakon Rabine Srigati
Keterpaduan Garap Pakeliran dalam Adegan Sekel Galih Wayang Jekdong Lakon Rabine Srigati
Wayang jekdong merupakan bentuk idiom yang merujuk pada praktik pedalangan dengan nuansa budaya Jawa Timur. Komunitas penikmat wayang kulit Jawa Timuran, beranggapan jika jekdong a...
INTERELASI PERBANDINGANANTARA VISUAL BIMA RELIEF CANDI SUKUHDENGAN FIGUR BIMA WAYANG KULIT GAYA YOGYAKARTATWEEN VISUAL BIMA AT SUKUH TEMPLE RELIEF WITH BIMA FIGURES IN WAYANG KULIT OF YOGYAKARTA STYLEENGAN FIGUR BIMA WAYANG KULIT GAYA YOGYAKARTA
INTERELASI PERBANDINGANANTARA VISUAL BIMA RELIEF CANDI SUKUHDENGAN FIGUR BIMA WAYANG KULIT GAYA YOGYAKARTATWEEN VISUAL BIMA AT SUKUH TEMPLE RELIEF WITH BIMA FIGURES IN WAYANG KULIT OF YOGYAKARTA STYLEENGAN FIGUR BIMA WAYANG KULIT GAYA YOGYAKARTA
Penelitian ini dilatarbelakangi dari asumsi bahwa Bima relief Candi Sukuh dan Bima wayang kulit gaya Yogyakarta memiliki kemiripan perwujudan. Oleh karena itu, tujuan penelitian ia...
STATEGI KOMUNIKASI DALAM MEPERTAHANKAN EKSISTENSI WAYANG KULIT PADA BERSIH DESA (Studi pada Ritual Bersih Desa di Desa Siraman Kecamatan Kesamben Kabupaten Blitar)
STATEGI KOMUNIKASI DALAM MEPERTAHANKAN EKSISTENSI WAYANG KULIT PADA BERSIH DESA (Studi pada Ritual Bersih Desa di Desa Siraman Kecamatan Kesamben Kabupaten Blitar)
Bersih Desa is a hereditary tradition in Javanese culture. Bersih Desa is a form of the union of humans with nature and a form of gratitude to the Creator, namely God Almighty. Cle...
Hubungan Wayang dan Gending dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
Hubungan Wayang dan Gending dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
Dalang when displaying the puppet characters are always supported by the musical, so the concept of relationship must be known in order to avoid incorrect installation. During this...
WAYANG WAHYU : HIBURAN DAN MEDIA PEMBELAJARAN
WAYANG WAHYU : HIBURAN DAN MEDIA PEMBELAJARAN
<p><em>The life of modern society offers a variety of entertainment media, so traditional entertainment such as wayang is no longer interesting. Some religious institut...
Wayang dalam Tari Sunda Gaya Priangan
Wayang dalam Tari Sunda Gaya Priangan
ABSTRACT This paper is a study on the potential  of puppet (wayang)  in the scope of Sundanese  culture of  Priangan subculture,  especially  dance.  Formerly  the term  ...