Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

KEHIDUPAN WAYANG GOLEK MENAK KEBUMEN PADA MASA KI SINDHU JOTARYONO (1955-1980)

View through CrossRef
An article entitled the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono from 1955 to 1980 discussed about the existence of Ki Sindhu Jotaryono in developing and improving the wayang golèk ménak Kebumen play. The problems which will be investigated were: How was the history of puppeteer in Kebumen? How was the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono? Why did the play of wayang golèk ménak Kebumen decrease and what methods used to preserve and to make the ply of wayang golek Kebumen stay alive. The purpose of the investigation was to describe the history of the puppeteer of wayang golèk ménak Kebumen, the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono, the reason why the play of wayang golèk ménak Kebumen decreased, and the methods used to preserve the life of wayang golèk ménak Kebumen. Based on the analysis, the result was that on the age of Ki Sindhu Jotaryono, the play of wayang golèk ménak Kebumen improved significantly. Ki Sindhu Jotaryono created many marionettes and new characters. The decrease of the play of wayang golèk ménak Kebumen was caused by many things. It was caused by the process of globalization and the internal factor, the puppeteers. The preservation effort was conducted by improving the self of the puppeteers and of the related institutions to concern more on the life of wayang golèk ménak Kebumen. Keywords: dalang, wayang golèk ménak Kebumen, preservation
Title: KEHIDUPAN WAYANG GOLEK MENAK KEBUMEN PADA MASA KI SINDHU JOTARYONO (1955-1980)
Description:
An article entitled the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono from 1955 to 1980 discussed about the existence of Ki Sindhu Jotaryono in developing and improving the wayang golèk ménak Kebumen play.
The problems which will be investigated were: How was the history of puppeteer in Kebumen? How was the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono? Why did the play of wayang golèk ménak Kebumen decrease and what methods used to preserve and to make the ply of wayang golek Kebumen stay alive.
The purpose of the investigation was to describe the history of the puppeteer of wayang golèk ménak Kebumen, the life of wayang golèk ménak Kebumen on the age of Ki Sindhu Jotaryono, the reason why the play of wayang golèk ménak Kebumen decreased, and the methods used to preserve the life of wayang golèk ménak Kebumen.
Based on the analysis, the result was that on the age of Ki Sindhu Jotaryono, the play of wayang golèk ménak Kebumen improved significantly.
Ki Sindhu Jotaryono created many marionettes and new characters.
The decrease of the play of wayang golèk ménak Kebumen was caused by many things.
It was caused by the process of globalization and the internal factor, the puppeteers.
The preservation effort was conducted by improving the self of the puppeteers and of the related institutions to concern more on the life of wayang golèk ménak Kebumen.
Keywords: dalang, wayang golèk ménak Kebumen, preservation.

Related Results

Iringan Karawitan Pergelaran Wayang Golek Menak Yogyakarta Versi Ki Sukarno
Iringan Karawitan Pergelaran Wayang Golek Menak Yogyakarta Versi Ki Sukarno
This article aims to describe the musical accompaniment in the Menak Sukarno Golek Golek performance by Ki Sukarno. Musicology analysis is done using karawitan to reveal the struct...
Visualisasi Wayang Beber Pacitan dalam mendukung dialog tokoh
Visualisasi Wayang Beber Pacitan dalam mendukung dialog tokoh
Abstrak Indonesia merupakan Negara yang mempunyai banyak budaya dan artefak peninggalan nenek moyang salah satu yang mendunia adalah Wayang, Wayang di Indonesia sangat banyak jenis...
Pengaruh Karawitan terhadap Totalitas Ekspresi Dalang dalam Pertunjukan Wayang Golek Menak Yogyakarta
Pengaruh Karawitan terhadap Totalitas Ekspresi Dalang dalam Pertunjukan Wayang Golek Menak Yogyakarta
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama pergelaran wayang dengan kualitas ekspresi dalang wayang golek Menak Yogyakarta. Keb...
Konsep Kempel dalam Keprakan dan Dhodhogan pada Pergelaran Wayang Golek Menak Gaya Yogyakarta
Konsep Kempel dalam Keprakan dan Dhodhogan pada Pergelaran Wayang Golek Menak Gaya Yogyakarta
ABSTRACT The Concept of Kempel in Keprakan and Dhodhogan in Yogyakarta-style Menak Wooden Puppet Show. KKeprakan and dhodhogan are two of the accompaniments in Menak wooden puppet ...
Wayang dalam Tari Sunda Gaya Priangan
Wayang dalam Tari Sunda Gaya Priangan
ABSTRACT This paper is a study on the potential  of puppet (wayang)  in the scope of Sundanese  culture of  Priangan subculture,  especially  dance.  Formerly  the term  ...
WAYANG WAHYU : HIBURAN DAN MEDIA PEMBELAJARAN
WAYANG WAHYU : HIBURAN DAN MEDIA PEMBELAJARAN
<p><em>The life of modern society offers a variety of entertainment media, so traditional entertainment such as wayang is no longer interesting. Some religious institut...
Ajaran mistik kejawen dalam teks menak Amir Hamza pupuh IX-XI
Ajaran mistik kejawen dalam teks menak Amir Hamza pupuh IX-XI
Penelitian ini dilakukan untuk menganalisa ajaran mistik kejawen yang terkandung dalam teks Menak Amir Hamza pupuh IX-XI. Penelitian ini termasuk dalam penelitian deskriptif dan pe...
Lakon Carangan Nurkala Kalidasa Karya R.H Tjetjep Supriadi
Lakon Carangan Nurkala Kalidasa Karya R.H Tjetjep Supriadi
Lakon adalah bagian terpenting dalam pertunjukan wayang golek ataupun pertunjukan lainnya. Hal tersebut di peruntukan untuk mempertegas cerita dalam sebuah pertunjukan. Dalam wayan...

Back to Top