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Circles, Spheres and Globes: Models of the Universe as Depicted in Art
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The concept of circles and spheres in cosmology was established in
ancient times, in both the Graeco-Roman and Judaeo-Christian traditions. Such
views appear to have laid the foundation for terrestrial and celestial images based
on the circle or sphere. Interpretations and explanations of the shape of the
universe and of our own planet have long been reflected in art, but as well as two
dimensional artworks being used to depict planet earth or the universe, actual
globes have also been used to demonstrate the shape of the earth and heavens from
ancient times. The modern globe as we know it has been popular from the late
fifteenth century, the oldest surviving terrestrial globe being the Erdapfel (‘Earth
Apple’) of Martin Behaim 1492. Their popularity is witnessed not only by
surviving celestial and terrestrial globes, but also by the subsequent depiction of
globes in paintings. This demonstrates the significance of globes in the promotion
of the ‘new learning’ and world view during the Renaissance, whether
cosmological or earthbound. By looking at globes and spheres in art works, it will
be seen that geographical, political and educational aspects are crucial, as well as
scientific ones. Like the globes themselves, their inclusion in artworks reflects
their importance in the context of the age and culture in which each was produced.
Title: Circles, Spheres and Globes: Models of the Universe as Depicted in Art
Description:
The concept of circles and spheres in cosmology was established in
ancient times, in both the Graeco-Roman and Judaeo-Christian traditions.
Such
views appear to have laid the foundation for terrestrial and celestial images based
on the circle or sphere.
Interpretations and explanations of the shape of the
universe and of our own planet have long been reflected in art, but as well as two
dimensional artworks being used to depict planet earth or the universe, actual
globes have also been used to demonstrate the shape of the earth and heavens from
ancient times.
The modern globe as we know it has been popular from the late
fifteenth century, the oldest surviving terrestrial globe being the Erdapfel (‘Earth
Apple’) of Martin Behaim 1492.
Their popularity is witnessed not only by
surviving celestial and terrestrial globes, but also by the subsequent depiction of
globes in paintings.
This demonstrates the significance of globes in the promotion
of the ‘new learning’ and world view during the Renaissance, whether
cosmological or earthbound.
By looking at globes and spheres in art works, it will
be seen that geographical, political and educational aspects are crucial, as well as
scientific ones.
Like the globes themselves, their inclusion in artworks reflects
their importance in the context of the age and culture in which each was produced.
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