Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
SPACE EVOLUTION IN GOGOL’S WORKS: MORPHOLOGICAL ORIGINS
View through CrossRef
In the poem “Dead Souls” Gogol reproduced the archaic polycentral structure of the space from the first cycle “Evenings on a farm near Dikanka”, where the way into the distance was transformed in its culmination into the way into deep. The radial- ray axis “Empire center - province” in “Revisor” and in “Petersburg’s novels” comes out as the intermediate space model between “Evenings…” and “Dead Souls”. But in the same works it was exposed because of the daemonic meanings of Petersburg, that came from “Evenings…”. In “Dead Souls”, however, the poles of the terrestrial-underground vertical were not the ancestor and the descendant, but the ideal essence of the world and its material shell.
Title: SPACE EVOLUTION IN GOGOL’S WORKS: MORPHOLOGICAL ORIGINS
Description:
In the poem “Dead Souls” Gogol reproduced the archaic polycentral structure of the space from the first cycle “Evenings on a farm near Dikanka”, where the way into the distance was transformed in its culmination into the way into deep.
The radial- ray axis “Empire center - province” in “Revisor” and in “Petersburg’s novels” comes out as the intermediate space model between “Evenings…” and “Dead Souls”.
But in the same works it was exposed because of the daemonic meanings of Petersburg, that came from “Evenings…”.
In “Dead Souls”, however, the poles of the terrestrial-underground vertical were not the ancestor and the descendant, but the ideal essence of the world and its material shell.
Related Results
Traditions of N. V. Gogol in prose by Jia Zhifang
Traditions of N. V. Gogol in prose by Jia Zhifang
The subject of the research in the article is the features of the reception of the works of N. V. Gogol in the works of the Chinese writer of the XX century Jia Zhifang. The method...
The Dog Who Tells Lies in Nikolai Gogol’s Comedy “Marriage”
The Dog Who Tells Lies in Nikolai Gogol’s Comedy “Marriage”
This article draws attention to the expression pyos vryot ‘dog tells lies’ found in the matchmaker’s line from the comedy “Marriage” by Nikolai Gogol. Researchers have already stud...
P02-270 - Pathographical Aspects About N.V. Gogol
P02-270 - Pathographical Aspects About N.V. Gogol
Whether the dead of the author, who burnt the second volume of his book “The Dead Souls”, was psychopathological? A part of N.V.Gogol's contemporaries supported that his death was ...
Seditious Spaces
Seditious Spaces
The title ‘Seditious Spaces’ is derived from one aspect of Britain’s colonial legacy in Malaysia (formerly Malaya): the Sedition Act 1948. While colonial rule may seem like it was ...
Hronotop prazdnika v metasûžete Gogolâ
Hronotop prazdnika v metasûžete Gogolâ
The importance of folk holidays, which determine the belonging of Gogol’s work to the traditions of laughter carnival culture, was substantiated by M. Bakhtin in his article Rabela...
N.V. Gogol, Louis Viardot, Ivan Turgenev and the story Viy: Lost in translation
N.V. Gogol, Louis Viardot, Ivan Turgenev and the story Viy: Lost in translation
The paper examines the first French translation of N.V. Gogol’s novella Viy, published in 1847 in the newspaper Journal des Débats Politiques et Littéraires (dated December 16, 17 ...
N. V. Gogol’s Portrait and V. F. Odoevsky’s Opere del cavaliere Giambattista Piranesi: Ethics, Aesthetics, Poetics
N. V. Gogol’s Portrait and V. F. Odoevsky’s Opere del cavaliere Giambattista Piranesi: Ethics, Aesthetics, Poetics
The article analyzes Opere del cavaliere Giambattista Piranesi by V. F. Odoevsky and Portrait by N. V. Gogol. Changes in the editions of the stories and roll calls in the texts are...
Family “passports” of N. V. Gogol's comedy “Marriage”
Family “passports” of N. V. Gogol's comedy “Marriage”
The article explores the meaning of the surnames in Gogol’s comedy “Marriage”. The origin of the names of the grooms Zhevakin (zhevat’ — chew) and Onuchkin is associated with the f...