Javascript must be enabled to continue!
Books on Pound from University Microfilms International
View through CrossRef
Jo Brantley Berryman. Circe's Craft: Ezra Pound's "Hugh Selwyn Mauberly. " Ann Arbor: UMI, 1983. Guy Davenport. Cities on Hills: 4 Study of I-XXX of Ezra Pound's Cantos. Ann Arbor: UMI, 1983 Peter D'Epiro. A Touch of Rhetoric: Ezra Pound's Malatesta Cantos. Ann Arbor: UMI, 1983. Ron Thomas. The Latin Masks of Ezra Pound. Ann Arbor: UMI, 1983. The UMI series has rapidly become familiar to students of modern literature. We can be grateful for a publishing venture that will release doctoral dissertations to public view in book form. We may grumble about the price tags, but we are grateful. These books represent, presumably, the best work on Pound by younger academics. In this case, however, the buyer is warned to be selective, for these four books, presented with the blessings of series editor A. Walton Litz and Pound consultant George Bornstein, are an uneven lot.
University of Toronto Press Inc. (UTPress)
Title: Books on Pound from University Microfilms International
Description:
Jo Brantley Berryman.
Circe's Craft: Ezra Pound's "Hugh Selwyn Mauberly.
" Ann Arbor: UMI, 1983.
Guy Davenport.
Cities on Hills: 4 Study of I-XXX of Ezra Pound's Cantos.
Ann Arbor: UMI, 1983 Peter D'Epiro.
A Touch of Rhetoric: Ezra Pound's Malatesta Cantos.
Ann Arbor: UMI, 1983.
Ron Thomas.
The Latin Masks of Ezra Pound.
Ann Arbor: UMI, 1983.
The UMI series has rapidly become familiar to students of modern literature.
We can be grateful for a publishing venture that will release doctoral dissertations to public view in book form.
We may grumble about the price tags, but we are grateful.
These books represent, presumably, the best work on Pound by younger academics.
In this case, however, the buyer is warned to be selective, for these four books, presented with the blessings of series editor A.
Walton Litz and Pound consultant George Bornstein, are an uneven lot.
Related Results
Lines of Division
Lines of Division
This chapter opens by acknowledging Nancy Cunard’s and Ezra Pound’s divided views on the Spanish Civil War but then argues for the importance of their collaborative associations be...
“Cantos” or “Cantares”?
“Cantos” or “Cantares”?
Viorica Patea’s essay opens with an account of José Vasquez Amaral’s long struggle translating Pound’s Cantos into Spanish and the argument he and Pound had about the correct equiv...
Fenollosa and Pound
Fenollosa and Pound
Lin Wei examines the nagging question about the extent of Pound’s authorship regarding the posthumous publication of Ernest Fenollosa’s manuscript, The Chinese Written Character as...
Re-Reading Pound and Camões
Re-Reading Pound and Camões
This chapter concerns Ezra Pound’s critical appraisal of the Portuguese epic, Os Lusiadas (1572), by Luís Vaz de Camões (1524/25–80). For half a century, when Pound theorized about...
Ezra Pound and Caresse Crosby
Ezra Pound and Caresse Crosby
Anne Conover’s essay focuses on Pound’s working relationship with the publisher, progressive thinker, and benefactress, Caresse Crosby, and her attempt to engage Pound in her own a...
Letters of Ezra Pound and Dorothy Pound to Juan Ramón Jiménez and Zenobia Camprubí (1948–1956)
Letters of Ezra Pound and Dorothy Pound to Juan Ramón Jiménez and Zenobia Camprubí (1948–1956)
Facsimiles and transcriptions of sixteen letters in chronological order from Ezra and Dorothy Pound to Spanish poet Juan Ramón Jiménez and his wife, writer Zenobia Camprubí, during...
Pound and/ or Franklin
Pound and/ or Franklin
John Gery takes Philadelphia as his starting point, but less for Pound’s ties to Jefferson than for his mostly unexplored associations with Benjamin Franklin’s sensibility. When lo...
A Critical Edition of Ezra Pound’s Pisan Cantos: Problems and Solutions
A Critical Edition of Ezra Pound’s Pisan Cantos: Problems and Solutions
If for no other reason the fact that all published editions of the Pisan Cantos have been unable to execute Ezra Pound’s instructions for the insertion of Greek and have omitted ov...

