Javascript must be enabled to continue!
Berry Dress
View through Europeana Collections
Irish artist Alice Maher studied at the University of Limerick, the Crawford College of Art, Cork, and the University of Ulster. Maher works within the realms of nature and culture, subversion and transformation, mythology and memory. Her practice incorporates painting, drawing, sculpture, print, photography and installation. Maher represented Ireland at the São Paolo Biennale in 1994. She completed a major drawing installation at the Royal Hibernian Academy in 2007. A mid-career retrospective of Maher’s work was held at IMMA in 2012. During the 1990s Maher worked with natural materials such as bees, nettles, berries and hair to create sometimes surreal works that appear like enchanted objects from a medieval folk tale. Maher's use of natural materials is typified in 'Berry Dress'. 'Berry Dress' presents the delicate shape of the child's dress, decorated with berries. On closer inspection, the dress loses its innocence, taking on a more sinister appeal. The pins, which hold the berries in place, are arranged internally: should the dress be worn, these pins would pierce the skin.
Irish Museum of Modern Art
Title: Berry Dress
Description:
Irish artist Alice Maher studied at the University of Limerick, the Crawford College of Art, Cork, and the University of Ulster.
Maher works within the realms of nature and culture, subversion and transformation, mythology and memory.
Her practice incorporates painting, drawing, sculpture, print, photography and installation.
Maher represented Ireland at the São Paolo Biennale in 1994.
She completed a major drawing installation at the Royal Hibernian Academy in 2007.
A mid-career retrospective of Maher’s work was held at IMMA in 2012.
During the 1990s Maher worked with natural materials such as bees, nettles, berries and hair to create sometimes surreal works that appear like enchanted objects from a medieval folk tale.
Maher's use of natural materials is typified in 'Berry Dress'.
'Berry Dress' presents the delicate shape of the child's dress, decorated with berries.
On closer inspection, the dress loses its innocence, taking on a more sinister appeal.
The pins, which hold the berries in place, are arranged internally: should the dress be worn, these pins would pierce the skin.
Related Results
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream ...
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with elasticated leg holes and a seam running around the centre front and back
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with elasticated leg holes and a seam running around the centre front and back
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with...
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are k...
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves...
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed...
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high neck and Peter Pan-style collar. The waistband is gathered using a threaded dr
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high neck and Peter Pan-style collar. The waistband is gathered using a threaded dr
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high nec...
Girl's shift dress, dusky pink nylon fabric a-line style, sleeveless with a high neck and one decorative pocket on the front, size 22 months, probably made in England, 1970s. A-line dress made of a synthetic dusky pink coloured fabric. The fabric has a sp
Girl's shift dress, dusky pink nylon fabric a-line style, sleeveless with a high neck and one decorative pocket on the front, size 22 months, probably made in England, 1970s. A-line dress made of a synthetic dusky pink coloured fabric. The fabric has a sp
Girl's shift dress, dusky pink nylon fabric a-line style, sleeveless with a high neck and one decorative pocket on the front, size 22 months, probably made in England, 1970s. A-lin...
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments. The separate skirt, which has a deep border
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments. The separate skirt, which has a deep border
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleev...

