Javascript must be enabled to continue!
Imagining Eurasia: The Poetics and Ideology of Olzhas Suleimenov's AZ i IA
View through CrossRef
The article examines the controversial book AZ i IA (1975) by the Russian-language Kazakh writer Olzhas Suleimenov. Ostensibly a study of the Russian medieval classic The Song of Igor's Campaign, the book was quickly understood to be a pointed commentary on the history of Russo-Turkic relations and a vindication of the Central Asian nomads, who were seen as oppressed by imperial domination in the field of knowledge no less than in politics. While Soviet critics noted the tension between the book's scholarly premises and its ideological claims, they chose to ignore the deeper implications of AZ I IA as a hybrid genre that conflates the devices of poetry with the scholarly methods of historiography and linguistics. While earlier critics chose to hail or dismiss Suleimenov's ideas on the basis of their scientific accuracy, this article interprets his poetics and ideology as characteristic of a “Eurasianist” tradition in Soviet letters, represented in this case by the linguist N. Ia. Marr and the avant-garde poet Velimir Khlebnikov, both of whom can be said to anticipate essential aspects of Suleimenov's linguistic vision and epistemological orientation.
Title: Imagining Eurasia: The Poetics and Ideology of Olzhas Suleimenov's AZ i IA
Description:
The article examines the controversial book AZ i IA (1975) by the Russian-language Kazakh writer Olzhas Suleimenov.
Ostensibly a study of the Russian medieval classic The Song of Igor's Campaign, the book was quickly understood to be a pointed commentary on the history of Russo-Turkic relations and a vindication of the Central Asian nomads, who were seen as oppressed by imperial domination in the field of knowledge no less than in politics.
While Soviet critics noted the tension between the book's scholarly premises and its ideological claims, they chose to ignore the deeper implications of AZ I IA as a hybrid genre that conflates the devices of poetry with the scholarly methods of historiography and linguistics.
While earlier critics chose to hail or dismiss Suleimenov's ideas on the basis of their scientific accuracy, this article interprets his poetics and ideology as characteristic of a “Eurasianist” tradition in Soviet letters, represented in this case by the linguist N.
Ia.
Marr and the avant-garde poet Velimir Khlebnikov, both of whom can be said to anticipate essential aspects of Suleimenov's linguistic vision and epistemological orientation.
Related Results
THE CONCEPT OF NATIONAL CONSCIOUSNESS IN THE POETRY OF OLZHAS SULEIMENOV
THE CONCEPT OF NATIONAL CONSCIOUSNESS IN THE POETRY OF OLZHAS SULEIMENOV
Annotation. The article focuses on the creative biography and poetic works of the great poet Olzhas Suleimenov. He is one of the few poets who brought Kazakh poetry to the world ar...
French Reception of the Works by Olzhas Suleimenov
French Reception of the Works by Olzhas Suleimenov
The paper explores the French reception of the works by the Kazakh poet Olzhas Suleimenov. The main goal of the study is to comprehend and summarize this reception as an independen...
Tatar Humanitarian Thought and “AZ i IA” by Olzhas Suleimenov
Tatar Humanitarian Thought and “AZ i IA” by Olzhas Suleimenov
The study is devoted to the historiography of the ancient history and culture of the Turkic peoples in the context of the 50th anniversary of the publication of Olzhas Suleimenov’s...
The Intellectual History of Olzhas Suleimenov’s “AZ i IA”
The Intellectual History of Olzhas Suleimenov’s “AZ i IA”
This study examines the intellectual history of Olzhas Suleimenov’s book “ AZ i IA” in 1975-1976. The ideological debate surrounding this book became one of the most resonant in th...
The Turkisms as Lexical Indicators of Transculturality in Olzhas Suleimenov’s Poem “The Clay Book”
The Turkisms as Lexical Indicators of Transculturality in Olzhas Suleimenov’s Poem “The Clay Book”
The study examines Turkisms as lexical markers of a transcultural worldview in Olzhas Suleimenov’s poem “The Clay Book.” The study employs a broad understanding of Turkisms, which ...
Impact of Summer North Atlantic Sea Surface Temperature Tripole on Precipitation over Mid–High-Latitude Eurasia
Impact of Summer North Atlantic Sea Surface Temperature Tripole on Precipitation over Mid–High-Latitude Eurasia
Eurasia is a sensitive and high-risk region for global climate changes, where climate anomalies significantly influence natural ecosystems, human health, and economic development. ...
The Effective Ideology of Benjamin Tammuz’s Works
The Effective Ideology of Benjamin Tammuz’s Works
Benjamin Tammuz is one of the pioneers of Canaan ideology in Israel. He has been chosen due to the huge number of his literary works which tackle the issues of the Canaan ideology ...
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Maria Stepanova (b. 1972) is a contemporary Russian poet who has emerged in recent decades as one of the most original and complex voices on the poetically highly heterogeneous and...

