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Aeschylus
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Aeschylus (also spelled Aischylos or Aiskhylos) was born c. 525/4 bce to an aristocratic family in Eleusis, a town in western Attica, part of the territory controlled by Athens. He was one of the earliest tragic poets. He first entered a tragic competition c. 499 (dramatic competitions were introduced in the 530s bce ) and won first prize for the first time in 484. In the 470s he visited Sicily, where he was the guest of Hieron of Syracuse. He also died in Sicily (at Gela) in 456/5, during a visit after the production of his Oresteia in Athens in 458. During his lifetime and after his death he was celebrated as one of the finest, if not the finest Athenian tragic poet. He won thirteen victories at tragic competitions (see Theater and Staging) and was credited with having written between seventy and ninety plays. Only seven complete plays survive, all tragedies. Of these, three form a connected trilogy in which the three plays tell a single overarching plot: the Oresteia (Agamemnon, Libation Bearers, Eumenides). Two more were parts of connected trilogies of which the other two plays are lost (Seven against Thebes and Suppliants). One formed part of a trilogy without any close connection to the other plays (Persians), and the authenticity of one is disputed (Prometheus Bound). In addition to his poetic achievement, ancient sources tell us that his epitaph recorded his resistance against the Persians at the battle of Marathon, when, in 490 bce, the Athenians and their allies drove back an attacking Persian horde of vastly superior numbers. It is also possible that Aeschylus fought in the naval battle at Salamis in 480 bce, another Greek victory over the Persians and the subject of his Persians.
Title: Aeschylus
Description:
Aeschylus (also spelled Aischylos or Aiskhylos) was born c.
525/4 bce to an aristocratic family in Eleusis, a town in western Attica, part of the territory controlled by Athens.
He was one of the earliest tragic poets.
He first entered a tragic competition c.
499 (dramatic competitions were introduced in the 530s bce ) and won first prize for the first time in 484.
In the 470s he visited Sicily, where he was the guest of Hieron of Syracuse.
He also died in Sicily (at Gela) in 456/5, during a visit after the production of his Oresteia in Athens in 458.
During his lifetime and after his death he was celebrated as one of the finest, if not the finest Athenian tragic poet.
He won thirteen victories at tragic competitions (see Theater and Staging) and was credited with having written between seventy and ninety plays.
Only seven complete plays survive, all tragedies.
Of these, three form a connected trilogy in which the three plays tell a single overarching plot: the Oresteia (Agamemnon, Libation Bearers, Eumenides).
Two more were parts of connected trilogies of which the other two plays are lost (Seven against Thebes and Suppliants).
One formed part of a trilogy without any close connection to the other plays (Persians), and the authenticity of one is disputed (Prometheus Bound).
In addition to his poetic achievement, ancient sources tell us that his epitaph recorded his resistance against the Persians at the battle of Marathon, when, in 490 bce, the Athenians and their allies drove back an attacking Persian horde of vastly superior numbers.
It is also possible that Aeschylus fought in the naval battle at Salamis in 480 bce, another Greek victory over the Persians and the subject of his Persians.
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Aeschylus’s Oresteia
Aeschylus’s Oresteia
The Oresteia, the pinnacle, and likely the final production, of Aeschylus’s long career in Athens, was produced at the City Dionysia of 458 bce, where it won the first prize. The O...
The Dramatic Structure of Agamemnon
The Dramatic Structure of Agamemnon
In later antiquity it was universally held that Aeschylus was the most given, of the three fifth century Athenian tragic poets, to lavish spectacular display. This view rested on t...
Aeschylus' Genealogy of Morals
Aeschylus' Genealogy of Morals
I examine genealogical metaphors and related causal statements in the plays of Aeschylus, particularly the Oresteia, and demonstrate how, when taken together, they present a system...
Pasolini’s Greeks and the Irrational
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This article traces Pasolini’s engagement with Aeschylus Oresteia and the concept of the “irrational,” through which he sought to excavate patterns of ideological resistance in the...
Antigone: The Curse Transformed
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This paper is dedicated to the analysis of the intertextual relationship between Sophocles’ Antigone and the plays of Aeschylus, especially the Theban trilogy. It is shown that Sop...
Aeschylus (ca. 525/4?–456/5bce)
Aeschylus (ca. 525/4?–456/5bce)
AbstractAeschylus (ca. 525/4?–456/5bce) was one of the most important tragedians of fifth‐century Athens (along with Sophocles and Euripides) and wrote perhaps 90 plays, seven of w...
Prometheus Bound
Prometheus Bound
In this paper I shall outline a possible new interpretation of Aeschylus' Prometheus Bound. I find that despite universal agreement that this drama has immediate and deep relevance...
Dikē as Global World Order: An Orphic Inheritance in Aeschylus?
Dikē as Global World Order: An Orphic Inheritance in Aeschylus?
Abstract:
The figure of Dikē in Aeschylus is not exactly the same as in Hesiod: it has a cosmic dimension; it grants also afterlife to individuals, while not excludi...

