Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
KONSEP MUSIK JAZZ FUSION BALI PADA KOMPOSISI SANGHYANG LEGONG KARYA INDRA LESMANA
View through CrossRef
Jazz Fusion music is one of the music styles currently developing in Bali. The characteristics of Jazz Fusion include combining two musical concept approaches, between local music concepts (Balinese tradisi) and foreign music (western), which results in a different Jazz musical identity. One musical work, Sanghyang Legong, describes the situation of Balinese Jazz Fusion music. Sanghyang Legong musical work results from a collaboration between famous Indonesian jazz musician Indra Lesmana and Balinese gamelan musicians I Made Subandi (alm.) and I Wayan Sudiarsa. This work uses Gending Sanghyang as a source of inspiration developed through a jazz music aesthetic approach. This composition received great appreciation from the music community inside and outside Bali. After being mass-produced in 2017, Sanghyang Legong attracted over 36,000 monthly views on YouTube, Spotify, and Apple Music. This article aims to educate the reader on the composer’s creative process, the resultant musical form, and the work’s significance. The formulation of the problem includes (1) the process of creation, (2) musical form, and (3) implications of Sanghyang Legong composition. The research method uses a qualitative design with a descriptive approach to musicology. Data collection through documentation and interviews. Analysis through the stages of data reduction, data presentation, and conclusion. The elaboration of instruments and playing techniques of Gamelan Singapraga, Suling (Balinese Flute), and Balinese Gending Vocal Style showed the concept of Jazz Fusion music in the composition of Sanghyang Legong. The song has five parts: Solo, Intro, Verse, Chorus, and Interlude. This work has an impactful implication for the sustainability of tourism and Bali’s creative economy.
Institut Seni Indonesia Surakarta
Title: KONSEP MUSIK JAZZ FUSION BALI PADA KOMPOSISI SANGHYANG LEGONG KARYA INDRA LESMANA
Description:
Jazz Fusion music is one of the music styles currently developing in Bali.
The characteristics of Jazz Fusion include combining two musical concept approaches, between local music concepts (Balinese tradisi) and foreign music (western), which results in a different Jazz musical identity.
One musical work, Sanghyang Legong, describes the situation of Balinese Jazz Fusion music.
Sanghyang Legong musical work results from a collaboration between famous Indonesian jazz musician Indra Lesmana and Balinese gamelan musicians I Made Subandi (alm.
) and I Wayan Sudiarsa.
This work uses Gending Sanghyang as a source of inspiration developed through a jazz music aesthetic approach.
This composition received great appreciation from the music community inside and outside Bali.
After being mass-produced in 2017, Sanghyang Legong attracted over 36,000 monthly views on YouTube, Spotify, and Apple Music.
This article aims to educate the reader on the composer’s creative process, the resultant musical form, and the work’s significance.
The formulation of the problem includes (1) the process of creation, (2) musical form, and (3) implications of Sanghyang Legong composition.
The research method uses a qualitative design with a descriptive approach to musicology.
Data collection through documentation and interviews.
Analysis through the stages of data reduction, data presentation, and conclusion.
The elaboration of instruments and playing techniques of Gamelan Singapraga, Suling (Balinese Flute), and Balinese Gending Vocal Style showed the concept of Jazz Fusion music in the composition of Sanghyang Legong.
The song has five parts: Solo, Intro, Verse, Chorus, and Interlude.
This work has an impactful implication for the sustainability of tourism and Bali’s creative economy.
Related Results
Pop‑jazz works by Viktor Vlasov: genre and style innovations
Pop‑jazz works by Viktor Vlasov: genre and style innovations
Background. From the second half of the XX century to the present time in the musical culture of the world we observe significant influence of jazz. New trends, styles, genres is a...
Makalah Kritik Seni "Musik Gereja dan Hymne"
Makalah Kritik Seni "Musik Gereja dan Hymne"
MUSIK GEREJA DAN HYMNE A.Musik GerejaMusik gereja adalah penggunaan musik yang berkembang dan digunakan di gereja musik sangat penting dalam ibadah gereja, karena sebagian besar ke...
Reposisi Musik Tradisional di Zaman Teknologi
Reposisi Musik Tradisional di Zaman Teknologi
Reposisi musik sesungguhnya telah terjadi sejal Genre musik, Fashion dan Lifestyle Western menjadi kiblat baru. Artinya:reposisi adalah penempatan kembali ke posisi semula atau pen...
Reposisi Musik Tradisional di Zaman Teknologi
Reposisi Musik Tradisional di Zaman Teknologi
Reposisi musik sesungguhnya telah terjadi sejal Genre musik, Fashion dan Lifestyle Western menjadi kiblat baru. Artinya:reposisi adalah penempatan kembali ke posisi semula atau pen...
Legong Krincing Suara
Legong Krincing Suara
Abstrak
Tari Legong Krincing Suara adalah sebuah tari Legong kreasi baru dengan Gongseng sebagai sumber kreatif penciptaan. Penata mencoba mengkombinasikan segi gerak, musik, t...
Musik – Die schönste Nebensache
Musik – Die schönste Nebensache
Jugend und Musik ist ein Thema, dem sich die Medienpädagogik immer wieder von Neuem zuwenden muss. Die zentrale Position, die Musik im Fühlen, aber auch im Denken und Handeln der M...
KOMPOSISI MUSIK MAQAM DUO
KOMPOSISI MUSIK MAQAM DUO
Penciptaan komposisi musik maqam duo ini dilatarbelakangi oleh pekembangan musik Islam dan musik Melayu yang kecendrungannya mengarah pada syair-syair yang bersifat duniawi. Keter...
PEDANG PENINGGALAN PRABU SILIWANGI DARI PANJALU, CIAMIS, JAWA BARAT
PEDANG PENINGGALAN PRABU SILIWANGI DARI PANJALU, CIAMIS, JAWA BARAT
Pedang Sanghyang Borosngora adalah pedang yang diyakini oleh sebagian masyarakat Panjalu sebagai pemberian Sayyidina Ali kepada Prabu Borosngora. Pedang yang sekarang disimpan di B...