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Charles I (1600-49) with M. de St Antoine
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On his appointment as Principal Painter to Charles I in 1632, the Flemish artist Van Dyck - Rubens's most gifted follower - was required to specialise in portraiture. This is one of the chief paintings to result from his appointment, which revolutionised British painting and provided us with the enduring image of the Stuart court. With great fluency Van Dyck here portrays Charles I on horseback on an unprecedented scale, as ruler, warrior and knight, in the long tradition of antique and Renaissance equestrian monuments.
Title: Charles I (1600-49) with M. de St Antoine
Description:
On his appointment as Principal Painter to Charles I in 1632, the Flemish artist Van Dyck - Rubens's most gifted follower - was required to specialise in portraiture.
This is one of the chief paintings to result from his appointment, which revolutionised British painting and provided us with the enduring image of the Stuart court.
With great fluency Van Dyck here portrays Charles I on horseback on an unprecedented scale, as ruler, warrior and knight, in the long tradition of antique and Renaissance equestrian monuments.
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Necklace by Alexis Falize with the enameller Antoine Tard, cloisonné enamel and gold, France, about 1867. Necklace of cloisonné enamel and gold, by Alexis Falize with the enameller Antoine Tard. The circlet is made up of ten long panels of enamelled gold
Necklace by Alexis Falize with the enameller Antoine Tard, cloisonné enamel and gold, France, about 1867. Necklace of cloisonné enamel and gold, by Alexis Falize with the enameller Antoine Tard. The circlet is made up of ten long panels of enamelled gold
Necklace by Alexis Falize with the enameller Antoine Tard, cloisonné enamel and gold, France, about 1867. Necklace of cloisonné enamel and gold, by Alexis Falize with the enameller...