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Negotiating the ‘Garibaldi moment’ in Newcastle-upon-Tyne (1854–1861)

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The year of the Risorgimento, 1860, is associated with the ‘Garibaldi moment’, a time when the image of the radical revolutionary appeared to be ‘depoliticised’ in Britain. While recognising such a phenomenon, this article considers whether regional pockets escaped such a trend, analysing the case-study of Newcastle-upon-Tyne, where strong links between Garibaldi and local radicals coloured public perceptions of the Italian hero. By scrutinising the unfolding of the ‘Garibaldi moment’ in this context a complex picture emerges, showing that, far from being a unifying ‘depoliticised’ figure, Garibaldi was a source of divisions within Newcastle society. Crucial in this division was George Crawshay's challenge to the recruitment of a British Legion to follow Garibaldi. By looking at the provincial press and examining the local reception of a variety of entertainments, it is argued that, while political engagement drove the enthusiasm of radical audiences, fashionable shows–devoid of political content–could not rely on Newcastle ‘Garibaldimania’.
Cambridge University Press (CUP)
Title: Negotiating the ‘Garibaldi moment’ in Newcastle-upon-Tyne (1854–1861)
Description:
The year of the Risorgimento, 1860, is associated with the ‘Garibaldi moment’, a time when the image of the radical revolutionary appeared to be ‘depoliticised’ in Britain.
While recognising such a phenomenon, this article considers whether regional pockets escaped such a trend, analysing the case-study of Newcastle-upon-Tyne, where strong links between Garibaldi and local radicals coloured public perceptions of the Italian hero.
By scrutinising the unfolding of the ‘Garibaldi moment’ in this context a complex picture emerges, showing that, far from being a unifying ‘depoliticised’ figure, Garibaldi was a source of divisions within Newcastle society.
Crucial in this division was George Crawshay's challenge to the recruitment of a British Legion to follow Garibaldi.
By looking at the provincial press and examining the local reception of a variety of entertainments, it is argued that, while political engagement drove the enthusiasm of radical audiences, fashionable shows–devoid of political content–could not rely on Newcastle ‘Garibaldimania’.

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