Javascript must be enabled to continue!
Coscus, Queen Elizabeth, and Law in John Donne’s“Satyre II”*
View through CrossRef
AbstractThis essay argues that John Donne’s “Satyre II” (ca. 1595) has a greater topical relevance to the emergence of the Anglo-American common-law tradition than literary and legal scholars have previously recognized. It makes the case that the villain of Donne’s poem, the poet-turned-lawyer Coscus, may be Sir Edward Coke (1552–1634) and that two female figures in the poem may be Queen Elizabeth (r. 1558–1603). Donne attacks Coke and Elizabeth for their complicity in deploying an antiquated and backward-looking feudal ideal in order to lend prestige to the common law, to enrich the crown and its officers, and to frustrate the dynastic prospects of landholding gentry.
Title: Coscus, Queen Elizabeth, and Law in John Donne’s“Satyre II”*
Description:
AbstractThis essay argues that John Donne’s “Satyre II” (ca.
1595) has a greater topical relevance to the emergence of the Anglo-American common-law tradition than literary and legal scholars have previously recognized.
It makes the case that the villain of Donne’s poem, the poet-turned-lawyer Coscus, may be Sir Edward Coke (1552–1634) and that two female figures in the poem may be Queen Elizabeth (r.
1558–1603).
Donne attacks Coke and Elizabeth for their complicity in deploying an antiquated and backward-looking feudal ideal in order to lend prestige to the common law, to enrich the crown and its officers, and to frustrate the dynastic prospects of landholding gentry.
Related Results
Law's Literature, Law's Body: The Aversion to Linguistic Ambiguity in Law and Literature
Law's Literature, Law's Body: The Aversion to Linguistic Ambiguity in Law and Literature
In any kind of literary analysis, the critic must grapple with linguistic ambiguity, and the law cannot help but operate in a linguistic realm as well. Neither of these claims is t...
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...
Donne's convalescence
Donne's convalescence
AbstractThis article argues that the period of Donne's convalescence immediately after his near‐fatal illness in late 1623 is crucial for an understanding of the text it spawned, h...
MARIA FOLLIA, A COURT LADY OF THE HUNGARIAN QUEEN ELIZABETH ŁOKIETEK, ACCOMPANYING HER MISTRESS ON A JOURNEY TO ITALY
MARIA FOLLIA, A COURT LADY OF THE HUNGARIAN QUEEN ELIZABETH ŁOKIETEK, ACCOMPANYING HER MISTRESS ON A JOURNEY TO ITALY
The journey and stay of the Hungarian queen Elizabeth Łokietek, mother of King Lajos the Great and widow of King Charles Robert, to the Kingdoms of Naples and Rome from June 1343 u...
Big Boys And Little Boys: Justice And Law In Xenophon’s Cyropaedia and Memorabilia
Big Boys And Little Boys: Justice And Law In Xenophon’s Cyropaedia and Memorabilia
Xenophon’s anecdote concerning the exchange of clothes between a big boy and a little boy in Cyropaedia (1.3.16–18) offers a valuable framework for understanding his conception of ...
Iconicizing Kingship in Elizabethan England: Strategic Acting by Queen Elizabeth I
Iconicizing Kingship in Elizabethan England: Strategic Acting by Queen Elizabeth I
Abstract
Renaissance England is often discussed in the context of theatre and theatrical acting. The fact is that Renaissance monarchs, too, viewed kingship in terms...
Humanities
Humanities
James E. Côté and Anton L. Allahar, Lowering Higher Education: The Rise of Corporate Universities and the Fall of Liberal Education, reviewed by glen a. jones Daniel Coleman and S...
“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I
“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I
Queen Elizabeth I’s musical talents and the elaborate music of her courtly entertainments are widely acknowledged. However, while the effect of Elizabeth’s gender on her authority ...