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Stage costume for Philip of Hohenstaufen for Agnes of Hohenstaufen
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Theatrical costume for the character of Filippo di Hohenstaufen in Agnese di Hohenstaufen by Gaspare Spontini, play directed by Franco Enriquez in 1974, Maggio Musicale Fiorentino. Costume of fantastic inspiration that evokes the medieval world of chivalry. The creation of the costumes and scenery is by the artist Corrado Cagli. The costume is screen-printed (print on fabric) and enriched with applications in cloth that evoke stylized symbols of chivalry, interpreted in a modern key. The costume was worn by opera singer Nicola Martinucci. \Details: Printed cotton moleskin, copper-colored lurex cloth; felt appliqué: Visualità del Maggio, Prato, 1979.\nCostumes for a Middle Ages, Cerratelli Foundation, San Giuliano Terme (Pisa), 2010-2011.\nL'arte della Meraviglia, Filatoio di Caraglio, Caraglio (Cuneo), 2012-2013.\n&Bibliography: Visualità del Maggio. Costumes and Documents 1933 - 1979 1979, p. 44. \nL'arte della Meraviglia 2012, pp. 106-107.
Cerratelli Foundation
Title: Stage costume for Philip of Hohenstaufen for Agnes of Hohenstaufen
Description:
Theatrical costume for the character of Filippo di Hohenstaufen in Agnese di Hohenstaufen by Gaspare Spontini, play directed by Franco Enriquez in 1974, Maggio Musicale Fiorentino.
Costume of fantastic inspiration that evokes the medieval world of chivalry.
The creation of the costumes and scenery is by the artist Corrado Cagli.
The costume is screen-printed (print on fabric) and enriched with applications in cloth that evoke stylized symbols of chivalry, interpreted in a modern key.
The costume was worn by opera singer Nicola Martinucci.
\Details: Printed cotton moleskin, copper-colored lurex cloth; felt appliqué: Visualità del Maggio, Prato, 1979.
\nCostumes for a Middle Ages, Cerratelli Foundation, San Giuliano Terme (Pisa), 2010-2011.
\nL'arte della Meraviglia, Filatoio di Caraglio, Caraglio (Cuneo), 2012-2013.
\n&Bibliography: Visualità del Maggio.
Costumes and Documents 1933 - 1979 1979, p.
44.
\nL'arte della Meraviglia 2012, pp.
106-107.
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