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Quadrat I+II: a peça serial de Samuel Beckett
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O artigo aborda a peça para televisão Quadrat I+II, dirigida por Samuel Beckett para a Süddeutscher Rundfunk (SDR) em Stuttgart, como um modelo de peça serial. Os procedimentos serialistas da peça são discutidos no contexto de uma problematização da organização narrativa e dramática do tempo, algo que Beckett realiza em suas demais obras, mas assume contornos específicos no caso de uma peça para a televisão. Nesse contexto, as condições de produção da peça também são levadas em consideração. Palavras-chave: Samuel Beckett, peça para televisão, serialismo. Abstract. The article focuses on the television play Quadrat I + II, directed by Samuel Beckett for the Süddeutscher Rundfunk (SDR) in Stuttgart, as a model of serial play. The serialist procedures of the play are discussed in the context of a problematization of the narrative and dramatic organization of the time, which Beckett accomplishes in his other works, but assumes specific contours in the case of a television play. In this context, the production conditions of the play are considered.Keywords: Samuel Beckett, television play, serialism.
Title: Quadrat I+II: a peça serial de Samuel Beckett
Description:
O artigo aborda a peça para televisão Quadrat I+II, dirigida por Samuel Beckett para a Süddeutscher Rundfunk (SDR) em Stuttgart, como um modelo de peça serial.
Os procedimentos serialistas da peça são discutidos no contexto de uma problematização da organização narrativa e dramática do tempo, algo que Beckett realiza em suas demais obras, mas assume contornos específicos no caso de uma peça para a televisão.
Nesse contexto, as condições de produção da peça também são levadas em consideração.
Palavras-chave: Samuel Beckett, peça para televisão, serialismo.
Abstract.
The article focuses on the television play Quadrat I + II, directed by Samuel Beckett for the Süddeutscher Rundfunk (SDR) in Stuttgart, as a model of serial play.
The serialist procedures of the play are discussed in the context of a problematization of the narrative and dramatic organization of the time, which Beckett accomplishes in his other works, but assumes specific contours in the case of a television play.
In this context, the production conditions of the play are considered.
Keywords: Samuel Beckett, television play, serialism.
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