Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Circus Philosophicus

View through CrossRef
After four vivid pages spent describing “the myth of the ferris wheel” Graham Harman sets into what some have called the most accessible introduction to Object Oriented Ontology to date. At around 25,000 words in length Circus Philosophicus reads nicely in one extended sitting, and very readily yields rewards to both the specialist and non-specialist reader. Situated within Harman’s expand-ing oeuvre Circus Philosophicus is not readily comparable with any of his other work work, with the possible exception of the forthcoming Treatise on Objects (Open Humanities Press), which Harman describes as having a similar sort of prose. 1The incomparable genre of Circus Philosophicus seems to have been the goal from the beginning, a fact made evident by the rear cover blurb which describes the goal to “restore myth to its central place in the discipline.” The following review will give a brief summary of the first half of Circus Philosophicus highlighting some pertinent details, while of-fering some closing comments on the interesting placement of the work within both the genre and the discourse of Object Oriented Ontology.
Title: Circus Philosophicus
Description:
After four vivid pages spent describing “the myth of the ferris wheel” Graham Harman sets into what some have called the most accessible introduction to Object Oriented Ontology to date.
At around 25,000 words in length Circus Philosophicus reads nicely in one extended sitting, and very readily yields rewards to both the specialist and non-specialist reader.
Situated within Harman’s expand-ing oeuvre Circus Philosophicus is not readily comparable with any of his other work work, with the possible exception of the forthcoming Treatise on Objects (Open Humanities Press), which Harman describes as having a similar sort of prose.
1The incomparable genre of Circus Philosophicus seems to have been the goal from the beginning, a fact made evident by the rear cover blurb which describes the goal to “restore myth to its central place in the discipline.
” The following review will give a brief summary of the first half of Circus Philosophicus highlighting some pertinent details, while of-fering some closing comments on the interesting placement of the work within both the genre and the discourse of Object Oriented Ontology.

Related Results

The Institutionalization of the Bulgarian Circus between 1944 and 1957
The Institutionalization of the Bulgarian Circus between 1944 and 1957
This article analyzes the process of institutionalization of the Bulgarian circus be-tween 1944 and 1957. The appreciation of circus as “an equal member of the large family of soci...
Circus Training for Autistic Children: Difference, Creativity, and Community
Circus Training for Autistic Children: Difference, Creativity, and Community
Circus training can benefit children diagnosed on the autistic spectrum and their families. In 2010, as Head Trainer at Flipside Circus in Brisbane, Kristy Seymour developed a meth...
Copyright in the Contemporary Circus Art
Copyright in the Contemporary Circus Art
The article is dedicated to the research of the problems of obtaining and protecting copyright in the circus industry, the problem of plagiarism in circus art, and the problem of p...
From Cirque Global to Local Circus: the Québec Professional Circus Scene during the COVID-19 Pandemic
From Cirque Global to Local Circus: the Québec Professional Circus Scene during the COVID-19 Pandemic
Given the success of its artistic and commercial models, the reach of Quebec’s circus has extended across continents to the point that it is now nearly impossible to imag...

Back to Top