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Eugenio Montale

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Abstract Montale, in the 1930s, was between wars but also between women. His ‘hermetic’ style shimmers between suggested meanings or implications. ‘Boats on the Marne’ sounds like a pleasure-outing, a Sunday sail or row, and begins with ‘happiness’ but ends with ‘floating’ (like a corpse?); begins with an upside-down sun, and ends among the stars. A poem whose thought takes the characteristically Montalean form of a cyclone, opening and opening.
Oxford University PressOxford
Title: Eugenio Montale
Description:
Abstract Montale, in the 1930s, was between wars but also between women.
His ‘hermetic’ style shimmers between suggested meanings or implications.
‘Boats on the Marne’ sounds like a pleasure-outing, a Sunday sail or row, and begins with ‘happiness’ but ends with ‘floating’ (like a corpse?); begins with an upside-down sun, and ends among the stars.
A poem whose thought takes the characteristically Montalean form of a cyclone, opening and opening.

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