Javascript must be enabled to continue!
Postmodernist Features in the Novels of Sema Kaygusuz
View through CrossRef
The study examines three novels by Sema Kaygusuz, a well-known contemporary Turkish writer: Yere Düşen Dualar (Prayers Falling to the Ground, 2006), Yüzünde Bir Yer (A Place on Your Face, 2009), and Barbarin Kahkahasi (Laughter of the Barbarian, 2015). It focuses on the poetic attributes of these novels: Their narrative and composition, as well as the imagery. This paper aims to prove that the above novels belong to the postmodernist school, relying on quoting traditional texts, intertextuality, multiplying simulated imagery and them blending into one another. To achieve the aim, the following tasks were outlined: review the creative biography of Sema Kaygusuz; cite the content of the novels “Prayers Falling to the Ground”, “A Place on Your Face”, and “Laughter of the Barbarian”; highlight the quotation layers of the works; demonstrate that the characters lose their integrity and even human shape in the textual reality of the works, where corporeality starts supplanting spirituality, as well as to examine the core issues of the novels and the system of simulated imagery. The paper proves that the techniques of Carnivalesque are fundamental to the novels’ composition, and this is expressed at different levels, right down to the linguistic form of the pieces. In Conclusion, the study suggests that the postmodernist outlook of Sema Kaygusuz’s novels is expressed through traditional postmodernist principles: textualisation of reality, intertextuality, simulated imagery losing its figurativeness, and replacement of the spiritual with the corporeal (Carnivalesque). Most quotes in her novels are represented by citations of the Bible and Qur'an narratives, woven into modern Turkish life.
Title: Postmodernist Features in the Novels of Sema Kaygusuz
Description:
The study examines three novels by Sema Kaygusuz, a well-known contemporary Turkish writer: Yere Düşen Dualar (Prayers Falling to the Ground, 2006), Yüzünde Bir Yer (A Place on Your Face, 2009), and Barbarin Kahkahasi (Laughter of the Barbarian, 2015).
It focuses on the poetic attributes of these novels: Their narrative and composition, as well as the imagery.
This paper aims to prove that the above novels belong to the postmodernist school, relying on quoting traditional texts, intertextuality, multiplying simulated imagery and them blending into one another.
To achieve the aim, the following tasks were outlined: review the creative biography of Sema Kaygusuz; cite the content of the novels “Prayers Falling to the Ground”, “A Place on Your Face”, and “Laughter of the Barbarian”; highlight the quotation layers of the works; demonstrate that the characters lose their integrity and even human shape in the textual reality of the works, where corporeality starts supplanting spirituality, as well as to examine the core issues of the novels and the system of simulated imagery.
The paper proves that the techniques of Carnivalesque are fundamental to the novels’ composition, and this is expressed at different levels, right down to the linguistic form of the pieces.
In Conclusion, the study suggests that the postmodernist outlook of Sema Kaygusuz’s novels is expressed through traditional postmodernist principles: textualisation of reality, intertextuality, simulated imagery losing its figurativeness, and replacement of the spiritual with the corporeal (Carnivalesque).
Most quotes in her novels are represented by citations of the Bible and Qur'an narratives, woven into modern Turkish life.
Related Results
Kaygusuz Abdal: Founder of Two Edges of Mediterranean – Entourage, Intention and Entity
Kaygusuz Abdal: Founder of Two Edges of Mediterranean – Entourage, Intention and Entity
The historical information about the biography of Kaygusuz Abdal; is inversely proportional to his recognition in the tradition and history of literature. As much as Kaygusuz's poe...
Vibration exciter using soft electromagnetic actuator
Vibration exciter using soft electromagnetic actuator
This study proposes a novel soft vibration exciter, employing a soft electromagnetic actuator (SEMA). The SEMA comprises soft polymeric substrates with stretchable electrical circu...
A Study on Similarities of Korean Full-length Novels and Romance Web Novels
A Study on Similarities of Korean Full-length Novels and Romance Web Novels
This research aims to identify certain similarities in the narrative structure between Korean Full-length novels and romance web novels, with the purpose of proposing a methodology...
Postmodern Narrative/ Biographical Imperative
Postmodern Narrative/ Biographical Imperative
Abstract
The novels we have considered thus far depict personages whose social marginalization results in a range of symptomatic psychic effects: the waywardness tha...
SURAT EDARAN MAHKAMAH AGUNG (SEMA) NOMOR 2 TAHUN 2023, AKHIR DARI POLEMIK PERKAWINAN BEDA AGAMA?
SURAT EDARAN MAHKAMAH AGUNG (SEMA) NOMOR 2 TAHUN 2023, AKHIR DARI POLEMIK PERKAWINAN BEDA AGAMA?
Perkawinan beda agama masih menjadi suatu isu hukum yang hangat dibicarakan oleh pengamat hukum dan masyarakat Indonesia. Hal ini memang tidak dapat dipungkiri mengingat Indonesia ...
1708-P: Development of a Needle-Free, Self-Applied Microarray Patch for GLP-1 Delivery
1708-P: Development of a Needle-Free, Self-Applied Microarray Patch for GLP-1 Delivery
Introduction and Objective: While glucagon-like peptide 1 (GLP-1) therapies are effective treatments for metabolic disease, poor adherence linked to perceived treatment complexity ...
Analiza prikaza afrikanerskog identiteta u povijesnim romanima Karela Schoemana iz postkolonijalne perspektive
Analiza prikaza afrikanerskog identiteta u povijesnim romanima Karela Schoemana iz postkolonijalne perspektive
This dissertation analyzes the narrative strategies in five novels by the South African author Karel Schoeman, specifically the way in which they undermine key historiographical st...
Analysis from Simplification to Interactivity in John Cage’s 4’33” and Philip Glass’s Metamorphosis Based on Jonathan D. Kramer’s Theory
Analysis from Simplification to Interactivity in John Cage’s 4’33” and Philip Glass’s Metamorphosis Based on Jonathan D. Kramer’s Theory
The postmodernist musical works reflect the uncertainty, fragmentation, irony, and carnival of postmodernism, and some of them also embody the characteristics of simplification and...

