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Vuoret ja kaupunki vastakohtaisina tiloina Alisa Ganijevan teoksissa

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Mountains and City as Contrary Spaces in the Prose of Alisa Ganieva I analyze Alisa Ganieva’s novel Prazdnichnaia gora (2012) and her novella Salam tebe, Dalgat! (2010) from a geocritical (Westphal, Tally) point of view. Ganieva was born in 1985 in Moscow, but she grew up in Dagestan, in North Caucasia. Since 2002, she has lived in Moscow. All Ganieva’s novels are set in present-day Dagestan, not only in the capital Makhachkala but also in the countryside.  I study the ways the two main spaces and main milieus, the mountains and the city, oppose each other in Prazdnichnaia gora. I also analyze how this opposition constructs the utopian and dystopian discourses of the novel. In this high/low opposition, the mountains appear as the utopian place of a better future, and the city in the lowlands is depicted as a dystopian place of the present-day life. The texts’ multilayered time is also part of my analysis, which follows Westphal’s idea of the stratigraphy of time. Furthermore, the mountains are associated with the traditional way of life and the Soviet past. In this way, the mountains have two kinds of roles in the texts. Nevertheless, the city is a central element of the postcolonial dystopian discourse of Prazdnichnaia gora. In my opinion, Ganieva’s texts problematize referentiality, one of the key concepts of geocriticism. Whilst the city tends to be very referential, the mountains escape the referential relationship to the “real” geographical space.
AVAIN - Kirjallisuudentutkimuksen aikakauslehti
Title: Vuoret ja kaupunki vastakohtaisina tiloina Alisa Ganijevan teoksissa
Description:
Mountains and City as Contrary Spaces in the Prose of Alisa Ganieva I analyze Alisa Ganieva’s novel Prazdnichnaia gora (2012) and her novella Salam tebe, Dalgat! (2010) from a geocritical (Westphal, Tally) point of view.
Ganieva was born in 1985 in Moscow, but she grew up in Dagestan, in North Caucasia.
Since 2002, she has lived in Moscow.
All Ganieva’s novels are set in present-day Dagestan, not only in the capital Makhachkala but also in the countryside.
  I study the ways the two main spaces and main milieus, the mountains and the city, oppose each other in Prazdnichnaia gora.
I also analyze how this opposition constructs the utopian and dystopian discourses of the novel.
In this high/low opposition, the mountains appear as the utopian place of a better future, and the city in the lowlands is depicted as a dystopian place of the present-day life.
The texts’ multilayered time is also part of my analysis, which follows Westphal’s idea of the stratigraphy of time.
Furthermore, the mountains are associated with the traditional way of life and the Soviet past.
In this way, the mountains have two kinds of roles in the texts.
Nevertheless, the city is a central element of the postcolonial dystopian discourse of Prazdnichnaia gora.
In my opinion, Ganieva’s texts problematize referentiality, one of the key concepts of geocriticism.
Whilst the city tends to be very referential, the mountains escape the referential relationship to the “real” geographical space.

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