Javascript must be enabled to continue!
Fisiognomía y fealdad cómica en la caricatura política de Enrique Hine (Physiognomy and Comic Ugliness in the Political Cartoons of Enrique Hine)
View through CrossRef
Este artículo trata la caricatura política; en particular, el significado ideológico construido mediante dos procedimientos empleados en la sátira política de combate contra el liberal Ricardo Jiménez Oreamuno, a saber: la comparación fisiognómica (con figuras míticas y animales) y la fealdad cómica (Bergson) como rigidez mental, moral e intelectual. Se centra en las caricaturas del artista gráfico Enrique Hine Saborío, editor del periódico humorístico El Cometa.This article addresses political cartoons, and focuses on the ideological meaning constructed using two procedures found in political protest satire against the Costa Rican liberal Ricardo Jiménez-Oreamuno. They include the physiognomical comparison (with mythical figures and animals) and comic ugliness (Bergson) as mental, moral and intellectual rigidity. This study examines on the caricatures of the graphic artist Enrique Hine-Saborío , editor of the comic Costa Rican newspaper El Cometa.
Title: Fisiognomía y fealdad cómica en la caricatura política de Enrique Hine (Physiognomy and Comic Ugliness in the Political Cartoons of Enrique Hine)
Description:
Este artículo trata la caricatura política; en particular, el significado ideológico construido mediante dos procedimientos empleados en la sátira política de combate contra el liberal Ricardo Jiménez Oreamuno, a saber: la comparación fisiognómica (con figuras míticas y animales) y la fealdad cómica (Bergson) como rigidez mental, moral e intelectual.
Se centra en las caricaturas del artista gráfico Enrique Hine Saborío, editor del periódico humorístico El Cometa.
This article addresses political cartoons, and focuses on the ideological meaning constructed using two procedures found in political protest satire against the Costa Rican liberal Ricardo Jiménez-Oreamuno.
They include the physiognomical comparison (with mythical figures and animals) and comic ugliness (Bergson) as mental, moral and intellectual rigidity.
This study examines on the caricatures of the graphic artist Enrique Hine-Saborío , editor of the comic Costa Rican newspaper El Cometa.
.
Related Results
Experiences of Ugliness in Nature and Urban environments
Experiences of Ugliness in Nature and Urban environments
In folk psychology experiences of ugliness are associated with the negation of beauty and disorder, but empirical evidence is remarkably rare. Here, participants (called informed) ...
Comic Authority in Aristophanes’ Knights
Comic Authority in Aristophanes’ Knights
This article investigates the relationship between comic speech and political authority in democratic Athens through a reading of Aristophanes’ Knights. The article surveys three d...
Bodily Passions: Physiognomy and Drama in Giovan Battista Della Porta
Bodily Passions: Physiognomy and Drama in Giovan Battista Della Porta
This article explores the intersections of physiognomic knowledge and drama in the works of Neapolitan naturalist and playwright Giovan Battista Della Porta (1535–1616). It first l...
The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah
The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah
A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative el...
Political Ramifications of Formal Ugliness in Kant’s Aesthetics
Political Ramifications of Formal Ugliness in Kant’s Aesthetics
Kant’s theory of taste supports his political theory by providing the judgment of beauty as a symbol of the good and example of teleological experience, allowing us to imagine the ...
Systematics as Cyberscience
Systematics as Cyberscience
An exploration of the use of information and communication technologies by biologists working in systematics (taxonomy) and the dynamics of change and continuity with past practice...
Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
The formal similarities between comic strips and film have often sparked a contentious debate about aesthetic intersections between the two mediums as well as discussions of influe...
Agitation with—and of—Burke's Comic Theory
Agitation with—and of—Burke's Comic Theory
This article uses a lengthy critique of Kenneth Burke's Attitudes Toward History found in the Kenneth Burke Papers as well as Kenneth Burke's published writing to argue for a more ...