Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
High-waisted open robe made of block-printed and glazed cotton, England, 1795-1800. High-waisted robe made of block-printed and glazed cotton and with a train. The bodice is low-cut, the sides are gathered and are held together with draw tapes at the neck
View through Europeana Collections
High-waisted open robe made of block-printed and glazed cotton, England, 1795-1800. High-waisted robe made of block-printed and glazed cotton and with a train. The bodice is low-cut, the sides are gathered and are held together with draw tapes at the neck and waist. The robe has an open front. There are front bodice flaps attached to the linen lining of the back. There is no waist seam and the front of the robe forms semi-pleated robings. There are stitched pleats at the side and back which shape the robe to the body. These flow into the skirt as inverted pleats, double at the back and single at the front. The front corners of the skirt are turned back in a curve. The sleeves are long, curved and fasten at the wrist with covered horn buttons. Bound with silk ribbon at the wrist. The pattern consists of flowers and leaves in stripes. Block-printed and glazed cotton, lined with linen, silk ribbon, hand-sewn.
Victoria and Albert Museum
Title: High-waisted open robe made of block-printed and glazed cotton, England, 1795-1800. High-waisted robe made of block-printed and glazed cotton and with a train. The bodice is low-cut, the sides are gathered and are held together with draw tapes at the neck
Description:
High-waisted open robe made of block-printed and glazed cotton, England, 1795-1800.
High-waisted robe made of block-printed and glazed cotton and with a train.
The bodice is low-cut, the sides are gathered and are held together with draw tapes at the neck and waist.
The robe has an open front.
There are front bodice flaps attached to the linen lining of the back.
There is no waist seam and the front of the robe forms semi-pleated robings.
There are stitched pleats at the side and back which shape the robe to the body.
These flow into the skirt as inverted pleats, double at the back and single at the front.
The front corners of the skirt are turned back in a curve.
The sleeves are long, curved and fasten at the wrist with covered horn buttons.
Bound with silk ribbon at the wrist.
The pattern consists of flowers and leaves in stripes.
Block-printed and glazed cotton, lined with linen, silk ribbon, hand-sewn.
Related Results
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments. The separate skirt, which has a deep border
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments. The separate skirt, which has a deep border
Silk dress consisting of a skirt and bodice, belt, pair of sleeves and pair of dress fragments, England, 1838-1842. Silk dress consisting of a skirt and bodice, belt, pair of sleev...
Christening gown, undergown and bonnet for a baby, lace and silk; England, 1937. Set of Christening garments. The ivory coloured lace over-gown has a round neck and short magyar sleeves, all of which are edged with lace; each sleeve is also trimmed with a
Christening gown, undergown and bonnet for a baby, lace and silk; England, 1937. Set of Christening garments. The ivory coloured lace over-gown has a round neck and short magyar sleeves, all of which are edged with lace; each sleeve is also trimmed with a
Christening gown, undergown and bonnet for a baby, lace and silk; England, 1937. Set of Christening garments. The ivory coloured lace over-gown has a round neck and short magyar sl...
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and ...
Wedding dress consisting of bodice, train and skirt of embroidered satin and velvet, designed by Worth, made in Paris and worn in London, 1879-1880. Wedding dress consisting of cream silk satin bodice and skirt and separate velvet train. The bodice of cre
Wedding dress consisting of bodice, train and skirt of embroidered satin and velvet, designed by Worth, made in Paris and worn in London, 1879-1880. Wedding dress consisting of cream silk satin bodice and skirt and separate velvet train. The bodice of cre
Wedding dress consisting of bodice, train and skirt of embroidered satin and velvet, designed by Worth, made in Paris and worn in London, 1879-1880. Wedding dress consisting of cre...
Summer day dress consisting of a cotton bodice, skirt and two belts, probably made in Great Britain, ca. 1905. Summer day dress consisting of a bodice, skirt and two belts. Flared skirt composed of four 28-inch widths of printed cotton pleated onto the na
Summer day dress consisting of a cotton bodice, skirt and two belts, probably made in Great Britain, ca. 1905. Summer day dress consisting of a bodice, skirt and two belts. Flared skirt composed of four 28-inch widths of printed cotton pleated onto the na
Summer day dress consisting of a cotton bodice, skirt and two belts, probably made in Great Britain, ca. 1905. Summer day dress consisting of a bodice, skirt and two belts. Flared ...
Girl's dress of ivory-coloured printed silk trimmed with machine-made lace and blue velvet, England, ca. 1885. Dress for a girl. Ivory-coloured silk printed with a repeating design of the head of a child wearing a blue hat and collar (or possibly a close
Girl's dress of ivory-coloured printed silk trimmed with machine-made lace and blue velvet, England, ca. 1885. Dress for a girl. Ivory-coloured silk printed with a repeating design of the head of a child wearing a blue hat and collar (or possibly a close
Girl's dress of ivory-coloured printed silk trimmed with machine-made lace and blue velvet, England, ca. 1885. Dress for a girl. Ivory-coloured silk printed with a repeating design...
Walking dress ensemble consisting of a spencer, dress and bodice of silk applied with silk satin, Great Britain, 1817-1820. Walking dress ensemble consisting of a spencer, dress and bodice of silk with applied silk satin panels. Trimmed with passementerie
Walking dress ensemble consisting of a spencer, dress and bodice of silk applied with silk satin, Great Britain, 1817-1820. Walking dress ensemble consisting of a spencer, dress and bodice of silk with applied silk satin panels. Trimmed with passementerie
Walking dress ensemble consisting of a spencer, dress and bodice of silk applied with silk satin, Great Britain, 1817-1820. Walking dress ensemble consisting of a spencer, dress an...
Bodice, altered, green silk satin, lined with glazed cotton, British, 1840s-1850s. Green bodice with short sleeves and décolleté neckline. The waist at the front and back ends in a deep point. The bodice fastens at the back like a corset. The whalebone su
Bodice, altered, green silk satin, lined with glazed cotton, British, 1840s-1850s. Green bodice with short sleeves and décolleté neckline. The waist at the front and back ends in a deep point. The bodice fastens at the back like a corset. The whalebone su
Bodice, altered, green silk satin, lined with glazed cotton, British, 1840s-1850s. Green bodice with short sleeves and décolleté neckline. The waist at the front and back ends in a...