Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Earthen Crocodile Effigies of The Iban of Sarawak: A Preliminary Study

View through CrossRef
In a slightly earlier article (Ipoi, 2011b), the main author has discussed the same subject, albeit, on effigies made by the Lun Bawang of Lawas District in Limbang Division, Sarawak. This latest article is thus useful for comparative and instigative purposes as this subject has not been fully studied by earlier and pioneering researchers on the Iban community, especially with regard to their hill paddy rituals and ceremonies. We hope that comments and reviews would be elicited from with in and outside Sarawak on this matter so that a more comprehensive scenario or picture can be attained. In 2004, the Sarawak Museum initiated survey work on the earthen crocodile effigies (buayeh tana’) made by the Lun Bawang in north-eastern Sarawak. In 2006, it was noted and validated that the Iban community also made similar effigies in Saratok, Betong Division. When it was realised that the Iban traditionally built effigies (baya tanah) as part of their hill paddy rituals, especially mali or ngemali umai, the museum decided to extend the scope of study to Iban dominated areas as well. From 2008, the museum was aptly assisted by researchers from the Centre for Global Archaeological Research Malaysia, University of Science Malaysia, Penang in conducting the surveys. This article is a preliminary report of the joint-research conducted in Iban domains that practically span all over Sarawak, especially in the middle and upper courses of most major rivers. It will touch on the general distribution and features of the effigies, purposes for their construction and reasons for abandonment.
Title: Earthen Crocodile Effigies of The Iban of Sarawak: A Preliminary Study
Description:
In a slightly earlier article (Ipoi, 2011b), the main author has discussed the same subject, albeit, on effigies made by the Lun Bawang of Lawas District in Limbang Division, Sarawak.
This latest article is thus useful for comparative and instigative purposes as this subject has not been fully studied by earlier and pioneering researchers on the Iban community, especially with regard to their hill paddy rituals and ceremonies.
We hope that comments and reviews would be elicited from with in and outside Sarawak on this matter so that a more comprehensive scenario or picture can be attained.
In 2004, the Sarawak Museum initiated survey work on the earthen crocodile effigies (buayeh tana’) made by the Lun Bawang in north-eastern Sarawak.
In 2006, it was noted and validated that the Iban community also made similar effigies in Saratok, Betong Division.
When it was realised that the Iban traditionally built effigies (baya tanah) as part of their hill paddy rituals, especially mali or ngemali umai, the museum decided to extend the scope of study to Iban dominated areas as well.
From 2008, the museum was aptly assisted by researchers from the Centre for Global Archaeological Research Malaysia, University of Science Malaysia, Penang in conducting the surveys.
This article is a preliminary report of the joint-research conducted in Iban domains that practically span all over Sarawak, especially in the middle and upper courses of most major rivers.
It will touch on the general distribution and features of the effigies, purposes for their construction and reasons for abandonment.

Related Results

The Effectiveness Of Preserving Iban "Ensera" (Folktales) Through The Medium Of Wai Fm Radio In Miri Division
The Effectiveness Of Preserving Iban "Ensera" (Folktales) Through The Medium Of Wai Fm Radio In Miri Division
Iban is the largest ethnic group in Sarawak, constituting about 30% of the population of Sarawak. Like other Dayak in Sarawak, Iban did not have a writing system earlier. Instead, ...
The Iban Traditional Religion: Miring
The Iban Traditional Religion: Miring
This paper aims to discuss about the offering ceremony, which is one of the traditional cultures performed by the Iban in Sarawak. Miring is performed to give honor to their Gods (...
RITUAL TENUN IKAT PUA KUMBU DALAM BUDAYA WANITA IBAN
RITUAL TENUN IKAT PUA KUMBU DALAM BUDAYA WANITA IBAN
Tenun ikat Iban, adalah tenunan khas dari masyarakat Dayak Iban khususnya wanita Iban di kabupaten Kapuas Hulu, Kalimantan Barat. Salah satu produk dari tenun ikat ini adalah kain ...
Discovery of the Monument and Heritage Sites in Nanga Putai, Baleh, Kapit
Discovery of the Monument and Heritage Sites in Nanga Putai, Baleh, Kapit
This study aimed to record and document the monuments and heritage sites found within the Baleh Hydroelectric Dam Project, specifically the archaeological site, the ancient Iban ce...
The Iban Journey of Afterlife: Artifak Iringan Tukang Sabak
The Iban Journey of Afterlife: Artifak Iringan Tukang Sabak
ABSTRACT The life-long cultures make people believe in the existence of another afterlife. For the Iban community in Sarawak, they believe in the nature of death after the so...
Nora Tang Ke
Nora Tang Ke
Rum Tang Ke is part of the Nora Rong Khru ritual performed on the last day called “Song Khru day” (Teacher’s departure day). A crocodile model used in the ritual portrays evil and ...
The Emergence of E-Wallet in Sarawak: Factors Influencing the Adoption of Sarawak Pay
The Emergence of E-Wallet in Sarawak: Factors Influencing the Adoption of Sarawak Pay
This paper discusses the adoption factors of electronic wallet, more specifically Sarawak Pay in Kuching, Sarawak. The Sarawak Government has a very aggressive mandate in terms of ...
KAIN PUA: PERANAN DAN STATUS WANITA IBAN MELALUI RITUAL NAKAR
KAIN PUA: PERANAN DAN STATUS WANITA IBAN MELALUI RITUAL NAKAR
Kaum Iban merupakan kaum sangat menghargai adat dan budaya dalam kehidupan seharian mereka. Mereka masih kuat berpegang pada adat serta budaya nenek moyang mereka. Hal ini dapat di...

Back to Top