Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Trans-Forming Bodies: Trangender and Transhumanism in Jeanette Winterson's Frankissstein

View through CrossRef
In Jeanette Winteron’s novel Frankissstein (2019), she discusses technological advances and the ethical boundaries in those, but she also uses technology to give gender a new dimension. Thus, she presents a transgender character, Ry, who is non-binary; Ry was born female, has a male appearance, got a mastectomy, and kept the female genitals, but most importantly, is comfortable with the doubleness in his body. Furthermore, in the novel Winterson links the trans* body with transhumanism. Despite presenting only one of the multiple realities of the transgender being —given that every experience is unique and, thus, it would be impossible to do so—, and referring mostly to the physical aspects of the transgender reality, Jeanette Winterson presents a character that represents the trans* part of the LGBTQ+ community, which had only been briefly mentioned in her previous novels. Through Winterson’s narrative in Frankissstein, this article will aim at analysing her view of the trans* reality in a contemporary setting through the lens of transgender academic studies in order to put Winterson’s thought in context.
Title: Trans-Forming Bodies: Trangender and Transhumanism in Jeanette Winterson's Frankissstein
Description:
In Jeanette Winteron’s novel Frankissstein (2019), she discusses technological advances and the ethical boundaries in those, but she also uses technology to give gender a new dimension.
Thus, she presents a transgender character, Ry, who is non-binary; Ry was born female, has a male appearance, got a mastectomy, and kept the female genitals, but most importantly, is comfortable with the doubleness in his body.
Furthermore, in the novel Winterson links the trans* body with transhumanism.
Despite presenting only one of the multiple realities of the transgender being —given that every experience is unique and, thus, it would be impossible to do so—, and referring mostly to the physical aspects of the transgender reality, Jeanette Winterson presents a character that represents the trans* part of the LGBTQ+ community, which had only been briefly mentioned in her previous novels.
Through Winterson’s narrative in Frankissstein, this article will aim at analysing her view of the trans* reality in a contemporary setting through the lens of transgender academic studies in order to put Winterson’s thought in context.

Related Results

Transhumanism as a Thin-centred Ideology
Transhumanism as a Thin-centred Ideology
Transhumanism as a Thin-centred Ideology [védés előtt] Szabados, Krisztián (2021) Transhumanism as a Thin-centred Ideology [védés előtt]. Doktori (PhD) értekezés, Budapesti Corvinu...
Crossing the Borders of the Genre and Gender: Jeanette Winterson’s Redefinition of the Bildungsroman in Oranges are Not the Only Fruit
Crossing the Borders of the Genre and Gender: Jeanette Winterson’s Redefinition of the Bildungsroman in Oranges are Not the Only Fruit
This study focuses on the appropriation of the Bildungsroman genre in Jeanette Winterson’s first book Oranges are Not the Only Fruit (1985), a novel which is often referred to as t...
Traduire la réappropriation des émotions dans The World and Other Places de Jeanette Winterson
Traduire la réappropriation des émotions dans The World and Other Places de Jeanette Winterson
Cette étude littéraire et traductologique propose d’aborder l’oeuvre de Jeanette Winterson selon une approche pluridisciplinaire, en explorant six nouvelles, extraites du recueil T...
Jeanette Winterson’un Tek Meyve Portakal Değildir adlı Romanına Althusserci Bir Yaklaşım
Jeanette Winterson’un Tek Meyve Portakal Değildir adlı Romanına Althusserci Bir Yaklaşım
Jeanette Winterson’un Tek Meyve Portakal Değildir (1985) adlı romanı, koyu Hristiyan bir anne tarafından evlatlık edinilen Jeanette isimli genç bir kızın hikâyesini okura sunar. R...
Monster
Monster
Monsters are everywhere in our popular media narratives. They lurk in the shadows of video games and computer animations, ready to pounce. They haunt the frames of horror films and...
“I want to tell the story again:” The Palimpsests of Jeanette Winterson’s Weight
“I want to tell the story again:” The Palimpsests of Jeanette Winterson’s Weight
Weight is Jeanette Winterson’s retelling of the myth of Atlas. Winterson writes over the familiar story of Atlas in Weight and creates a unique narrative, still retaining the trace...

Back to Top