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“Unhitching the Oxcart of Delhi”: a Mughal-Period Hindi account of Political Insurgency
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AbstractThis article is part of a larger effort to broaden the source-base for understanding Mughal-period India by engaging with the Hindi literary archive. I analyze the vignettes of Aurangzeb and other Mughal figures that are available in Lāl Kavi's Chatraprakāś (Light of Chatrasal, c. 1710), a Brajbhasha (classical Hindi) historical poem commissioned by the Bundela ruler Chatrasal (1649–1731). Written shortly after Aurangzeb's death, the Chatraprakāś is in part a retrospective on Aurangzeb's reign. It is also a valuable source of regional history that gives voice to how the Mughal Empire was perceived from a local court that went in and out of political favour. In places, Lāl Kavi engages in trenchant political critique, expressing the court's strong disillusionment with the Mughal manṣabdārī system as well as more local grievances. While by no means the dominant tone of the work, there are occasional hints of the court's outrage at Mughal offenses against what Lal Kavi explicitly terms “Hindu dharma.” Parsing the Chatraprakāś as both poetry and history, I probe the text's complex perspectives on Mughal rule.
Title: “Unhitching the Oxcart of Delhi”: a Mughal-Period Hindi account of Political Insurgency
Description:
AbstractThis article is part of a larger effort to broaden the source-base for understanding Mughal-period India by engaging with the Hindi literary archive.
I analyze the vignettes of Aurangzeb and other Mughal figures that are available in Lāl Kavi's Chatraprakāś (Light of Chatrasal, c.
1710), a Brajbhasha (classical Hindi) historical poem commissioned by the Bundela ruler Chatrasal (1649–1731).
Written shortly after Aurangzeb's death, the Chatraprakāś is in part a retrospective on Aurangzeb's reign.
It is also a valuable source of regional history that gives voice to how the Mughal Empire was perceived from a local court that went in and out of political favour.
In places, Lāl Kavi engages in trenchant political critique, expressing the court's strong disillusionment with the Mughal manṣabdārī system as well as more local grievances.
While by no means the dominant tone of the work, there are occasional hints of the court's outrage at Mughal offenses against what Lal Kavi explicitly terms “Hindu dharma.
” Parsing the Chatraprakāś as both poetry and history, I probe the text's complex perspectives on Mughal rule.
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