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Introduction

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This introductory chapter provides an overview of The Mummy (1932). While the setting and concepts of The Mummy were relatively new to horror cinema as it existed in 1932, the film's creative team nonetheless had plenty of sources from which to take inspiration. Universal Pictures' previous horror films had generally taken place against a European backdrop informed by English Gothic and German Expressionism. The Mummy, on the other hand, turned to Egypt and its ancient history for inspiration. In doing so, the film hit upon what was, as far as cinema was concerned, a fresh variety of monster: a living mummy. Thanks to The Mummy, the cloth-wrapped Egyptian revenant would join the vampire, the werewolf, and Frankenstein's Monster as a horror icon, one that would appear in innumerable sequels, imitations, and parodies. The chapter then details the plot of The Mummy.
Liverpool University Press
Title: Introduction
Description:
This introductory chapter provides an overview of The Mummy (1932).
While the setting and concepts of The Mummy were relatively new to horror cinema as it existed in 1932, the film's creative team nonetheless had plenty of sources from which to take inspiration.
Universal Pictures' previous horror films had generally taken place against a European backdrop informed by English Gothic and German Expressionism.
The Mummy, on the other hand, turned to Egypt and its ancient history for inspiration.
In doing so, the film hit upon what was, as far as cinema was concerned, a fresh variety of monster: a living mummy.
Thanks to The Mummy, the cloth-wrapped Egyptian revenant would join the vampire, the werewolf, and Frankenstein's Monster as a horror icon, one that would appear in innumerable sequels, imitations, and parodies.
The chapter then details the plot of The Mummy.

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