Javascript must be enabled to continue!
Exploring a rationale for choosing to listen to sad music when feeling sad
View through CrossRef
Choosing to listen to self-identified sad music after experiencing negative psychological circumstances seems paradoxical given the commonly-held view that people are motivated to seek a positive affective state when distressed. We examined the motivations people described to listen to music they identified as sad, particularly when experiencing negative circumstances, and the self-reported effects of this activity. We asked adults to respond to an online survey and analyzed their narrative reports using a modified grounded theory approach. Responses were received from 65 adults across five countries. The process that underlies choosing to listen to sad music as well as the self-regulatory strategies and functions of sad music were identified. The music-selection strategies included: connection; selecting music based on memory triggers; high aesthetic value; and message communicated. The functions of these strategies were in the domains of (re-)experiencing affect, cognitive, social, retrieving memories, friend, distraction, and mood enhancement. We additionally modelled the underlying psychological process that guides sad music listening behaviour and the effects of listening. These findings present core insights into the dynamics and value of choosing to listen to self-identified sad music when coping with negative psychological circumstances.
Title: Exploring a rationale for choosing to listen to sad music when feeling sad
Description:
Choosing to listen to self-identified sad music after experiencing negative psychological circumstances seems paradoxical given the commonly-held view that people are motivated to seek a positive affective state when distressed.
We examined the motivations people described to listen to music they identified as sad, particularly when experiencing negative circumstances, and the self-reported effects of this activity.
We asked adults to respond to an online survey and analyzed their narrative reports using a modified grounded theory approach.
Responses were received from 65 adults across five countries.
The process that underlies choosing to listen to sad music as well as the self-regulatory strategies and functions of sad music were identified.
The music-selection strategies included: connection; selecting music based on memory triggers; high aesthetic value; and message communicated.
The functions of these strategies were in the domains of (re-)experiencing affect, cognitive, social, retrieving memories, friend, distraction, and mood enhancement.
We additionally modelled the underlying psychological process that guides sad music listening behaviour and the effects of listening.
These findings present core insights into the dynamics and value of choosing to listen to self-identified sad music when coping with negative psychological circumstances.
Related Results
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...
If I Had Possession over Judgment Day: Augmenting Robert Johnson
If I Had Possession over Judgment Day: Augmenting Robert Johnson
augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dicti...
Advancing knowledge in music therapy
Advancing knowledge in music therapy
It is now over 20 years since Ernest Boyer – an educator from the US and, amongst other posts, President of the Carnegie Foundation for the Advancement of Teaching – published his ...
Music Video
Music Video
Music video emerged as the object of academic writing shortly after the introduction in the United States of MTV (Music Television) in 1981. From the beginning, music video was cla...
Dragutin Gostuški’s Television Narrative
Dragutin Gostuški’s Television Narrative
The selection of music combined with the text about music is very important for the effect on the viewer of the television music programs. The interaction between music and text tu...
Sad music depresses sad adolescents: A listener’s profile
Sad music depresses sad adolescents: A listener’s profile
This research explored both social context and personal characteristics in relation to being saddened by sad music when in a sad mood. Overall, 1686 respondents (aged 12–16 years; ...
What is the word
What is the word
What than is music? – Music is language.’ Composer Anton Webern was quite outspoken in 1932 : 'A human being wants to express thoughts in this language, but not a thought that can ...

