Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Reprezentări ale principilor transilvăneni pe săbii nobiliare maghiare din sec. al XIX-lea / Representations of Transylvanian princes on 19th century swords of the Hungarian nobility

View through CrossRef
The collection of weapons in the National Museum of Banat includes two 19th century Hungarian ceremonial swords which feature many design and ornamental elements that can mislead the laymen in the field of old heritage weapons. Made in accordance with the tendencies of the historical style, the two pieces imitate the design of the end of the Middle Ages Transylvanian princely swords. Moreover, representations and inscriptions dedicated to the Transylvanian princes Gabriel Báthory (prince between 1608–1613) and Gheorghe Rákóczi I (between 1630–1648) are preserved on both sides of the blades.The two swords from the NMoB collection are part of a larger series of pieces inscribed with the names of Transylvanian princes, similar swords having been identified both in the online bibliography and in two other museum collections in our country: at the National Museum of Romanian History (Gabriel Báthory) and in the collection of the National Military Museum “King Ferdinand I” in Bucharest (Gabriel Báthory and Gheorghe Rákóczi II). The common element of all these swords is the blade, the basic component of the weapon, which is identical in all these pieces, from a typological point of view: it has a curved shape, with a wide fuller placed under the blunt edge, on both sides, more than two-thirds of the length of the blade. The decorative motifs and inscriptions are engraved in identical layout in all the analyzed pieces. Regarding the arrangement of the engraved decoration, it must be emphasized that it is laid out on superimposed registers, perpendicular to the length of the blade, in the same order on all the swords examined. As regards the inscriptions present on these blades, especially the princely portraits, we can appreciate that the main source of inspiration was the Transylvanian princely numismatic heritage, preserved to this day in museums or private collections. The princely portraits present on the blades of the swords are copies of representations present on the obverse of the vintage coins. The princely bust and the official title, which appear on the obverse of the coins, are elements shown on the reverse side of the blades, while the princely coat of arms, present on the reverse of the coins, is engraved on the reverse side of the swords.The swords from the NMoB collection were analyzed with an XRF spectrometer, and the results obtained show a very high similarity between the two blades: a very high concentration of iron and an insignificant presence of other related chemical elements. The other components of the swords are of different types and shapes and the materials used range from solid gilded silver to plain brass. Based on the results offered by the XRF spectrometer, we can conclude that the blades used on the two swords were made in the same time interval, using modern metal processing techniques. The differences found in the other components of the swords indicate a ranking of the pieces according to value, which corresponds to the social status of the sponsors.From a chronological point of view, the two bladed weapons from the NMoB collection date from the second half of the 19th century, possibly the last decades of that century. We agree to this point of view, given the evolution and impact of the historical style in this space, an artistic current which the two analyzed weapons represent.The lack of information on the origin of the two swords negatively contributed to the long process of identifying and documenting the parts. The two swords were registered in the museum’s inventory on January 8, 1959, being part of a swords lot which also includes that of the noble Osztoics family from Șemlacu Mare and Șemlacu Mic. Given the uncertainty surrounding the origin of the swords, we hope that future research will elucidate this mystery and will be able to identify the sponsors of the pieces.
Muzeul National al Banatului
Title: Reprezentări ale principilor transilvăneni pe săbii nobiliare maghiare din sec. al XIX-lea / Representations of Transylvanian princes on 19th century swords of the Hungarian nobility
Description:
The collection of weapons in the National Museum of Banat includes two 19th century Hungarian ceremonial swords which feature many design and ornamental elements that can mislead the laymen in the field of old heritage weapons.
Made in accordance with the tendencies of the historical style, the two pieces imitate the design of the end of the Middle Ages Transylvanian princely swords.
Moreover, representations and inscriptions dedicated to the Transylvanian princes Gabriel Báthory (prince between 1608–1613) and Gheorghe Rákóczi I (between 1630–1648) are preserved on both sides of the blades.
The two swords from the NMoB collection are part of a larger series of pieces inscribed with the names of Transylvanian princes, similar swords having been identified both in the online bibliography and in two other museum collections in our country: at the National Museum of Romanian History (Gabriel Báthory) and in the collection of the National Military Museum “King Ferdinand I” in Bucharest (Gabriel Báthory and Gheorghe Rákóczi II).
The common element of all these swords is the blade, the basic component of the weapon, which is identical in all these pieces, from a typological point of view: it has a curved shape, with a wide fuller placed under the blunt edge, on both sides, more than two-thirds of the length of the blade.
The decorative motifs and inscriptions are engraved in identical layout in all the analyzed pieces.
Regarding the arrangement of the engraved decoration, it must be emphasized that it is laid out on superimposed registers, perpendicular to the length of the blade, in the same order on all the swords examined.
As regards the inscriptions present on these blades, especially the princely portraits, we can appreciate that the main source of inspiration was the Transylvanian princely numismatic heritage, preserved to this day in museums or private collections.
The princely portraits present on the blades of the swords are copies of representations present on the obverse of the vintage coins.
The princely bust and the official title, which appear on the obverse of the coins, are elements shown on the reverse side of the blades, while the princely coat of arms, present on the reverse of the coins, is engraved on the reverse side of the swords.
The swords from the NMoB collection were analyzed with an XRF spectrometer, and the results obtained show a very high similarity between the two blades: a very high concentration of iron and an insignificant presence of other related chemical elements.
The other components of the swords are of different types and shapes and the materials used range from solid gilded silver to plain brass.
Based on the results offered by the XRF spectrometer, we can conclude that the blades used on the two swords were made in the same time interval, using modern metal processing techniques.
The differences found in the other components of the swords indicate a ranking of the pieces according to value, which corresponds to the social status of the sponsors.
From a chronological point of view, the two bladed weapons from the NMoB collection date from the second half of the 19th century, possibly the last decades of that century.
We agree to this point of view, given the evolution and impact of the historical style in this space, an artistic current which the two analyzed weapons represent.
The lack of information on the origin of the two swords negatively contributed to the long process of identifying and documenting the parts.
The two swords were registered in the museum’s inventory on January 8, 1959, being part of a swords lot which also includes that of the noble Osztoics family from Șemlacu Mare and Șemlacu Mic.
Given the uncertainty surrounding the origin of the swords, we hope that future research will elucidate this mystery and will be able to identify the sponsors of the pieces.

Related Results

Ekonomika bosanskih velikaša u 14. i 15. stoljeću
Ekonomika bosanskih velikaša u 14. i 15. stoljeću
The role and significance of the Bosnian nobility in the historical currents of medieval Bosnia can be reliably traced in the 14th and 15th centuries when various socio-political f...
The problem of “structural integration”. A case study of the 9th‒10th century burials (Graves 49 and 50) at Hortobágy – Árkus
The problem of “structural integration”. A case study of the 9th‒10th century burials (Graves 49 and 50) at Hortobágy – Árkus
Scopul studiului este acela de a dezbate aspectele teoretice ale problemei discontinuității și continuității între două epoci, care în literatura de specialitate sunt cunoscute sub...
Friedrich Balthes - Attempt to Reconstruct the Oeuvre of a Transylvanian Saxon Artist
Friedrich Balthes - Attempt to Reconstruct the Oeuvre of a Transylvanian Saxon Artist
Friedrich Balthes was a young master of the national architectural style of the Transylvanian Saxons. Being a victim of the First World War (he died at the age of only 32, on the S...
Începuturile lexicografiei maghiare. De la primele glose pînă la dicționare multilingve
Începuturile lexicografiei maghiare. De la primele glose pînă la dicționare multilingve
Articolul de față are ca scop prezentarea începuturilor lexicografiei maghiare, mai ales a acelor lucrări care au o strînsă legătură cu Transilvania. Glosele timpurii, începînd din...
Semnificația ca reflex al contactelor lingvistice
Semnificația ca reflex al contactelor lingvistice
Studiul de față se înscrie pe direcția actualizării în lingvistica românească a teoriilor privitoare la interferențele lingvistice (româno-maghiare) manifestate în unele comunități...
SPECIFIC TRAITS OF HUNGARIAN-UKRAINIAN POETRY TRANSLATION (BASED ON YURII SHKROBYNETS’ TRANSLATIONS)
SPECIFIC TRAITS OF HUNGARIAN-UKRAINIAN POETRY TRANSLATION (BASED ON YURII SHKROBYNETS’ TRANSLATIONS)
The article addresses matters related to the peculiarities of Hungarian-Ukrainian poetic translation. It was noted that the quality, complexity and overall mastery of literary tran...
Nobility and Gentry in the Early Modern Atlantic World
Nobility and Gentry in the Early Modern Atlantic World
Early modern societies were organized in ranks or degrees, one of the highest being the nobility. The meaning of this word was different in the European countries but the superiori...
Davvisámegiela reduplikatiiva vearbagenetiiva boađi boađi ja bosu bosu – morfologiija, syntáksa ja semantihkka
Davvisámegiela reduplikatiiva vearbagenetiiva boađi boađi ja bosu bosu – morfologiija, syntáksa ja semantihkka
Dán artihkkala ulbmilin lea gieđahallat fenomena, mas guokte ideanttalaš vearbagenetiivva leat cealkagis maŋŋálagaid, nugo boađi boađi ja bosu bosu. Gohčodan dan reduplikatiiva vea...

Back to Top