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Fancy dress costume
View through The Met
silk feathers metal, Italian
Costume Institute, Metropolitan Museum of Art New York NY, Gift of Nicolao Atelier Costumi D’Arte 1996
Related Results
Two women in fancy dress costumes, one in a vaguely 17th/18th century style, one possibly representing regional dress. Published in Le Cabinet de Lecture et le Voleur Réunis, Paris, dated 13 February 1843. Two women in fancy dress costumes, one in a vagu
Two women in fancy dress costumes, one in a vaguely 17th/18th century style, one possibly representing regional dress. Published in Le Cabinet de Lecture et le Voleur Réunis, Paris, dated 13 February 1843. Two women in fancy dress costumes, one in a vagu
Two women in fancy dress costumes, one in a vaguely 17th/18th century style, one possibly representing regional dress. Published in Le Cabinet de Lecture et le Voleur Réunis, Paris...
Unknown. Designs for male and female fancy dress costume, possibly based on Russian, Turkish or Ottoman historic costume. French, c.1840s. Fashion plate, cropped down, showing a man and woman in fancy dress costume probably based on Russian, Ottoman or Tu
Unknown. Designs for male and female fancy dress costume, possibly based on Russian, Turkish or Ottoman historic costume. French, c.1840s. Fashion plate, cropped down, showing a man and woman in fancy dress costume probably based on Russian, Ottoman or Tu
Unknown. Designs for male and female fancy dress costume, possibly based on Russian, Turkish or Ottoman historic costume. French, c.1840s. Fashion plate, cropped down, showing a ma...
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream material. Its shape is sleeveless and a-line shape with a pointed hem that
Dress, girl's, cream with heart-shaped motif by Pierre Cardin for Neiman Marcus, made in France, 1960s. Dress for a child around four years old. The dress is made of a thick cream ...
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with elasticated leg holes and a seam running around the centre front and back
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with elasticated leg holes and a seam running around the centre front and back
Short, button through, baby's dress with matching cream silk knickers, by St Joan, Nottingham, 1955-1956. Dress and knickers set for a baby; Knickers made of cream silk fabric with...
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are knee length with a flat pleated frill and white metal button at the knee. Th
Ensemble of dress, knickerbockers, belt and hat, designed by Mary Quant, London, 1958. Knickerbockers, part of an ensemble with grey flannel dress and hat. The knickerbockers are k...
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves. The dress finishes at around knee height. There is decorative applied go
A-line shift dress, size 2, made by Angela's PENNY FARTHINGS, UK, ca. 1965. A-line dress of a black stretchy synthetic fabric. The dress has a high round neck line and long sleeves...
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed weave. The body of the dress is cut in the Princess manner with long shape
Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. Woman's aesthetic or reform dress and bodice in brown wool with a heavily ribbed...
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high neck and Peter Pan-style collar. The waistband is gathered using a threaded dr
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high neck and Peter Pan-style collar. The waistband is gathered using a threaded dr
Girl's dress of cream synthetic and wool mix, made for John Walsh, Belgium, 1958-1960. Cream dress with short, puffed sleeves, knitted cuffs and waistband. The dress has a high nec...

