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Afeto que tece a curadoria: Koyo Kouoh, a aranha-mãe do Senegal

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This article aims to present the carrier of the Cameroonian curator Koyo Kouoh, that was educated in Switzerland and chose Dakar to live and to work. Using the archetype of the Spider-mother, weaver, spinnerit, I bring here the exhibitions Body Talk: Feminism, Sexuality & The Body and When We See Us – A Century of Black Figuration in Painting and the spaces Raw Material Company, built in Dacar by Kouoh e Zeitz MOCAA, in Cape Town, where she went towork in 2019 to, in dialogue with her interviews and texts, show how Kouoh’s work, above all, intended to stablish networks with creators, artists and thinkers in the African Continent.
Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais
Title: Afeto que tece a curadoria: Koyo Kouoh, a aranha-mãe do Senegal
Description:
This article aims to present the carrier of the Cameroonian curator Koyo Kouoh, that was educated in Switzerland and chose Dakar to live and to work.
Using the archetype of the Spider-mother, weaver, spinnerit, I bring here the exhibitions Body Talk: Feminism, Sexuality & The Body and When We See Us – A Century of Black Figuration in Painting and the spaces Raw Material Company, built in Dacar by Kouoh e Zeitz MOCAA, in Cape Town, where she went towork in 2019 to, in dialogue with her interviews and texts, show how Kouoh’s work, above all, intended to stablish networks with creators, artists and thinkers in the African Continent.

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