Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Qing Dynasty and Traditional Chinese Culture

View through CrossRef
The Qing dynasty (1636–1912)—a crucial bridge between “traditional” and “modern” China—was remarkable for its expansiveness and cultural sophistication. This engaging and insightful history of Qing political, social, and cultural life traces the complex interaction between the Inner Asian traditions of the Manchus, who conquered China in 1644, and indigenous Chinese cultural traditions. Noted historian Richard J. Smith argues that the pragmatic Qing emperors presented a “Chinese” face to their subjects who lived south of the Great Wall and other ethnic faces (particularly Manchu, Mongolian, Central Asian, and Tibetan) to subjects in other parts of their vast multicultural empire. They were attracted by many aspects of Chinese culture, but far from being completely “sinicized” as many scholars argue, they were also proud of their own cultural traditions and interested in other cultures as well. Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity. Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.
Rowman & Littlefield Publishers
Title: The Qing Dynasty and Traditional Chinese Culture
Description:
The Qing dynasty (1636–1912)—a crucial bridge between “traditional” and “modern” China—was remarkable for its expansiveness and cultural sophistication.
This engaging and insightful history of Qing political, social, and cultural life traces the complex interaction between the Inner Asian traditions of the Manchus, who conquered China in 1644, and indigenous Chinese cultural traditions.
Noted historian Richard J.
Smith argues that the pragmatic Qing emperors presented a “Chinese” face to their subjects who lived south of the Great Wall and other ethnic faces (particularly Manchu, Mongolian, Central Asian, and Tibetan) to subjects in other parts of their vast multicultural empire.
They were attracted by many aspects of Chinese culture, but far from being completely “sinicized” as many scholars argue, they were also proud of their own cultural traditions and interested in other cultures as well.
Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity.
Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.

Related Results

Chinese History and Culture
Chinese History and Culture
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring...
William Nelson Lovatt in Late Qing China
William Nelson Lovatt in Late Qing China
William Nelson Lovatt in Late Qing China: War, Maritime Customs, and Treaty Ports,1860-1904 looks at the late Qing dynasty through the eyes of a British-American who spent most of ...
Carson City and Truckee: Anti-Chinese Activities
Carson City and Truckee: Anti-Chinese Activities
This chapter examines anti-Chinese activities in two towns: Carson City in Nevada and Truckee in California. Anti-Chinese movements emerged when it became clear to Euro-Americans t...
Myths of the Central Plains
Myths of the Central Plains
Myths of the Central Plains provides an insight into ancient Chinese beliefs and legends, including creation stories, legendary emperors and heroes, nature myth...
China's Last Imperial Frontier
China's Last Imperial Frontier
China's Last Imperial Frontier explores imperial China's frontier expansion in the Tibetan borderlands during the last decades of the Qing. The empire mounted a series of military ...
Invisible Ink
Invisible Ink
What does it mean to be a woman artist – or a feminist artist – in China today?Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invi...
The Bloomsbury Handbook of Modern Chinese Literature in Translation
The Bloomsbury Handbook of Modern Chinese Literature in Translation
Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teache...
Literary Translation and Modern Chinese Literature
Literary Translation and Modern Chinese Literature
Since the late Qing, literature in translation and modern Chinese literature have maintained a symbiotic relationship. Translation, understood as an entirely new means of creation ...

Back to Top