Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Marius Petipa

View through CrossRef
Abstract Born two hundred years ago in Marseilles, Marius Petipa spent more than sixty years in Imperial Russia as a ballet master, serving directly under the eye of the Emperor. He became the greatest choreographer of the nineteenth century, creating a quantity of work, some of which—such as Swan Lake and The Sleeping Beauty—has survived to attract audiences all round the world. In Russia, he was revered, even if by the end of his life he had become outmoded and new ideas were circulating, culminating in the experiments of Diaghilev and the Ballets Russes. Yet even the rebels recognized his genius and their indebtedness to him. He had a lasting and profound effect, both in the Soviet Union, where ballet became an emblem of cultural prestige, and in the West, where his spiritual descendants, Diaghilev included, promulgated and extended his work. Marius Petipa: The Emperor’s Ballet Master is a survey of his life and work, before and after his arrival in St Petersburg. It is a cultural biography placing Petipa in his context. It describes the people and events around him; it traces the evolution of the aesthetics of ballet; it analyses the influences that made Petipa unique; and it examines the ways that he, in turn, influenced the course of modern ballet.
Oxford University PressNew York
Title: Marius Petipa
Description:
Abstract Born two hundred years ago in Marseilles, Marius Petipa spent more than sixty years in Imperial Russia as a ballet master, serving directly under the eye of the Emperor.
He became the greatest choreographer of the nineteenth century, creating a quantity of work, some of which—such as Swan Lake and The Sleeping Beauty—has survived to attract audiences all round the world.
In Russia, he was revered, even if by the end of his life he had become outmoded and new ideas were circulating, culminating in the experiments of Diaghilev and the Ballets Russes.
Yet even the rebels recognized his genius and their indebtedness to him.
He had a lasting and profound effect, both in the Soviet Union, where ballet became an emblem of cultural prestige, and in the West, where his spiritual descendants, Diaghilev included, promulgated and extended his work.
Marius Petipa: The Emperor’s Ballet Master is a survey of his life and work, before and after his arrival in St Petersburg.
It is a cultural biography placing Petipa in his context.
It describes the people and events around him; it traces the evolution of the aesthetics of ballet; it analyses the influences that made Petipa unique; and it examines the ways that he, in turn, influenced the course of modern ballet.

Related Results

Looking Back, Moving Forward
Looking Back, Moving Forward
Abstract After Petipa’s marriage to his first muse, Maria Surovshchikova, and the death in Russia of his father, Jean, chapter 4 travels back in time to trace Jean’s...
Big Music, Big Dance
Big Music, Big Dance
Abstract This chapter deals with the Tchaikovsky and Glazunov collaborations and the late-flowering of Petipa’s genius, facilitated by Ivan Vsevolozhsky. At the age ...
Russian Debut
Russian Debut
Abstract This chapter begins with Petipa’s arrival in St Petersburg and his first roles and productions there. It examines the structures of the Imperial Ballet and ...
Lucien, l’autre Petipa
Lucien, l’autre Petipa
Lucien, the Other Petipa Lucien Petipa (1815-1898), Marius’s elder brother, was principal dancer first with the Grand Théâtre de Bordeaux, and then the Opéra de Paris. From 1...
Enter Vladimir Teliakovsky
Enter Vladimir Teliakovsky
Abstract Chapter 10 records the arrival of Teliakovsky as the new director. Championing the new artistic ideas that were flourishing in Moscow, he wanted to bring th...
Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle
Le « ballet russe » de Marius Petipa : un exemple d'hybridation culturelle
Le chorégraphe français Marius Petipa (1818-1910), qui a effectué la majeure partie d’une très longue carrière au service des Théâtres impériaux, est considéré comme l’inventeur du...
Les Millions d’Arlequin de Marius Petipa et Riccardo Drigo : les créateurs, l’analyse du ballet, son destin
Les Millions d’Arlequin de Marius Petipa et Riccardo Drigo : les créateurs, l’analyse du ballet, son destin
Les Millions d’Arlequin est un ballet créé en 1900, fruit du talent et de la passion pour leur métier de deux figures significatives de la scène du Théâtre Mariinski à Saint-Péters...
Marius Petipa, une enfance bruxelloise (1819-1835)
Marius Petipa, une enfance bruxelloise (1819-1835)
Né à Marseille en 1818, Marius Petipa arrive à Bruxelles avec sa famille alors qu’il a à peine un an. C’est au Théâtre de la Monnaie qu’il fait ses premiers pas à l’âge de cinq ans...

Back to Top