Javascript must be enabled to continue!
American Folk Art
View through CrossRef
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays.
American Folk Art: A Regional Referenceoffers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole.
Those writing about folk art to date tend to view each artist as either traditionalorinnovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural contextandcreative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Title: American Folk Art
Description:
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context.
The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays.
American Folk Art: A Regional Referenceoffers a collection of fascinating essays on the life and work of 300 individual artists.
Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit.
Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible.
There is also an introductory essay on U.
S.
folk art as a whole.
Those writing about folk art to date tend to view each artist as either traditionalorinnovative.
One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural contextandcreative in the way they make work their own.
Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Related Results
Folk Cultural Production with Danwei Characteristics
Folk Cultural Production with Danwei Characteristics
This chapter examines folk storytelling performances staged in and by various government work units or state-owned enterprises for public relations purposes, with particular emphas...
Further Developments, 1957–1958
Further Developments, 1957–1958
This chapter describes the folk music scene from 1957 to 1958. It discusses the emergence of the Kingston Trio that energized the folk revival; folk festivals and recordings; the c...
Folk Wisdom and Mother Wit
Folk Wisdom and Mother Wit
This book combines historical biography with a focus on the role of the practitioner in the folk health-care system, and ethnobotany, including a description of the active ingredie...
Popular Folk Music Comes of Age, 1955–1956
Popular Folk Music Comes of Age, 1955–1956
This chapter describes the folk music scene from 1955 to 1956. It discusses the formation of the Hillbilly-Folk Record Collectors' Club and launching of the quarterly Hillbilly-Fol...
Conscience of the Folk Revival
Conscience of the Folk Revival
Israel G. “Izzy” Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, t...
Background in the United States and Great Britain to 1950
Background in the United States and Great Britain to 1950
Throughout the twentieth century, folk music has had many definitions and incarnations in the United States and Great Britain. The public has been most aware of its commercial subs...
The Spectacularization of Soviet/Russian Folk Dance
The Spectacularization of Soviet/Russian Folk Dance
In the early 20th century, folk dance had been used to show symbolic support for several nation states by transporting masses of peasants to major urban centers to perform in festi...
Brains and Beliefs
Brains and Beliefs
I suggest there are three ways to see the role of folk psychology in a mature cognitive neuroscience. First, integration says that folk psychology plays a decisive role in defining...

