Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Popular Folk Music Comes of Age, 1955–1956

View through CrossRef
This chapter describes the folk music scene from 1955 to 1956. It discusses the formation of the Hillbilly-Folk Record Collectors' Club and launching of the quarterly Hillbilly-Folk Record Journal in early 1954, in Britain; how the skiffle provided a dramatic boost to the popularity of folk-style music in Britain; the sudden popularity of a different musical hybrid, calypso, in the U.S.; how folk music was linked with the developing countercultural movement—poetry, films, novels, comic books, jazz, comedy—spreading across the U.S. in the mid-1950s; the emergence of Harry Belafonte; and the rising popularity of international music in the U.S., spurred by people's search for international understanding and world peace during the harsh years of the Cold War.
University of Illinois Press
Title: Popular Folk Music Comes of Age, 1955–1956
Description:
This chapter describes the folk music scene from 1955 to 1956.
It discusses the formation of the Hillbilly-Folk Record Collectors' Club and launching of the quarterly Hillbilly-Folk Record Journal in early 1954, in Britain; how the skiffle provided a dramatic boost to the popularity of folk-style music in Britain; the sudden popularity of a different musical hybrid, calypso, in the U.
S.
; how folk music was linked with the developing countercultural movement—poetry, films, novels, comic books, jazz, comedy—spreading across the U.
S.
in the mid-1950s; the emergence of Harry Belafonte; and the rising popularity of international music in the U.
S.
, spurred by people's search for international understanding and world peace during the harsh years of the Cold War.

Related Results

Seeing Voices
Seeing Voices
Abstract We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
Theorizing Music Evolution
Theorizing Music Evolution
Abstract Theorizing Music Evolution is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist wr...
David Bowie and the Art of Music Video
David Bowie and the Art of Music Video
The first in-depth study of David Bowie’s music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure ela...
Yogaku
Yogaku
"This book introduces us to the world of contemporary Japanese music and it guides us towards a better understanding of their world."—Luciano Berio Yogakudiscusse...
African American Covers of Country Music Before Ray Charles
African American Covers of Country Music Before Ray Charles
Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry’s racial segregation of vernacular mus...
Alec Wilder in Spite of Himself
Alec Wilder in Spite of Himself
Abstract Alec Wilder wrote songs and lyrics of unsurpassed beauty and originality, and his work won the respect and admiration of such important musical figures a...
Background in the United States and Great Britain to 1950
Background in the United States and Great Britain to 1950
Throughout the twentieth century, folk music has had many definitions and incarnations in the United States and Great Britain. The public has been most aware of its commercial subs...
Folk Cultural Production with Danwei Characteristics
Folk Cultural Production with Danwei Characteristics
This chapter examines folk storytelling performances staged in and by various government work units or state-owned enterprises for public relations purposes, with particular emphas...

Back to Top