Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Classicism

View through CrossRef
Abstract This three-part chapter explores a higher-order logic we call ‘Classicism’, which extends a minimal classical higher-order logic with further axioms which guarantee that provable coextensiveness is sufficient for identity. The first part presents several different ways of axiomatizing this theory and makes the case for its naturalness. The second part discusses two kinds of extensions of Classicism: some which take the view in the direction of coarseness of grain (whose endpoint is the maximally coarse-grained view that coextensiveness is sufficient for identity), and some which take the view in the direction of fineness of grain (whose endpoint is the maximally fine-grained theory containing all distinctness claims compatible with Classicism). The third part introduces some techniques for constructing models of Classicism, and uses them to prove the consistency of many of the extensions of Classicism introduced in the second part.
Title: Classicism
Description:
Abstract This three-part chapter explores a higher-order logic we call ‘Classicism’, which extends a minimal classical higher-order logic with further axioms which guarantee that provable coextensiveness is sufficient for identity.
The first part presents several different ways of axiomatizing this theory and makes the case for its naturalness.
The second part discusses two kinds of extensions of Classicism: some which take the view in the direction of coarseness of grain (whose endpoint is the maximally coarse-grained view that coextensiveness is sufficient for identity), and some which take the view in the direction of fineness of grain (whose endpoint is the maximally fine-grained theory containing all distinctness claims compatible with Classicism).
The third part introduces some techniques for constructing models of Classicism, and uses them to prove the consistency of many of the extensions of Classicism introduced in the second part.

Related Results

Classicism, Post-Classicism and Ranjabati Sircar’s Work:
Classicism, Post-Classicism and Ranjabati Sircar’s Work:
This essay discusses contemporary dance in India, foregrounding the link between dance and politics. The author proposes that contemporary dance in today’s India can be seen as a c...
Western Classicism and Western Art Music Conducting in Southern Nigeria
Western Classicism and Western Art Music Conducting in Southern Nigeria
Western conducting involves the use of diverse forms of body language to direct ensembles. Although conducting originated in the Middle Ages, its standardization in eighteenth-cent...
Three Versions of Classic: The Construction of Gabriel Fauré in the 1920s
Three Versions of Classic: The Construction of Gabriel Fauré in the 1920s
Drawing on recent scholarship (Kelly, Pasler, Wheeldon, Fauser) examining the discursive construction of the reputations of well-known Belle-Époque musicians, this article investig...
Ceremonial Theater and Tragedy from French Classicism to German Classicism
Ceremonial Theater and Tragedy from French Classicism to German Classicism
This essay investigates tragic theater from French classicism to German classicism in relation to the ritualized ceremonies and spectacles of the early modern state, which I summar...
ჟან რასინის „ესთერის“ პოეტიკის ბიბლიური მოტივები
ჟან რასინის „ესთერის“ პოეტიკის ბიბლიური მოტივები
The article presents a literary and philosophical analysis of the biblical motifs of the play “Esther” by Jean-Baptiste Racine, a pro­minent representa­tive of European classicism,...
Boekbespreking / Book Review
Boekbespreking / Book Review
AbstractThe past fifty years have witnesses a renewed interest in Arnold Houbraken's Great Theatre as an object of study and a source of information for art historians. Hendrik Hor...
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
THE CLASSICISM IN OF SACRED SPACE FORMATION
THE CLASSICISM IN OF SACRED SPACE FORMATION
The classicism of the first decade of the 20th century was analyzed as a result of a negative assessment of the situation in the culture of the late 19th century. The opinions of s...

Back to Top