Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Epigraphic Textile

View through Harvard Museums
The design of this textile panel consists entirely of religious texts and invocations, disposed in wide horizontal bands in thuluth script, alternating with narrow bands in kufic script. The two largest bands feature pious invocations (O Generous! O Merciful! God is greatest!) that are set within a traditional pattern of eight-pointed stars and crosses. The middle band contains a well-known phrase that praises `Ali ibn Abi Talib and his legendary two-bladed sword Dhu’l-Fiqar. The band at the bottom contains chapter 112 from the Qur’an (Sura al-Ikhlas). The minute kufic inscriptions have not yet been deciphered. These religious invocations and Qur’an 112 often appear in funerary contexts, suggesting that this textile may have been part of a tomb cover. Although patched and repaired along the left side, much of the panel appears to be a continuous fabric. Because it has been trimmed on all sides, it does not preserve selvedges or a full-loom width. The textile was woven on a draw loom, and its technical repeat unit measures about 23.3 cm in weft direction. All the inscriptions begin along the same vertical (warp) axis. In its faded condition, the textile appears as a tan ground with thuluth inscriptions in yellow and off-white and kufic inscriptions in dark blue and two-shades of green. A small and highly fragmentary textile at the Yale University Art Gallery (1937.4787) appears to be from the same textile; it partially preserves a text panel that is missing here. Texts الله أكبر God is greatest. يا حنان يا منان O Generous! O Merciful! لا فتى إلا علي لا سيف إلا ذو الفقار There is no hero like `Ali; there is no sword like Dhu’l-Fiqar Qur’an 112
Department of Islamic & Later Indian Art [Ahuan Gallery through Oliver Hoare London 26 April 1976] sold; to Edwin Binney 3rd California (1976-1986) bequest; to Harvard Art Museums 2017. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991 then at the Los Angeles County Museum of Art from 1991-2011. Harvard Art Museums/Arthur M. Sackler Museum The Edwin Binney 3rd Collection of Turkish Art at the Harvard Art Museums
image-zoom
Title: Epigraphic Textile
Description:
The design of this textile panel consists entirely of religious texts and invocations, disposed in wide horizontal bands in thuluth script, alternating with narrow bands in kufic script.
The two largest bands feature pious invocations (O Generous! O Merciful! God is greatest!) that are set within a traditional pattern of eight-pointed stars and crosses.
The middle band contains a well-known phrase that praises `Ali ibn Abi Talib and his legendary two-bladed sword Dhu’l-Fiqar.
The band at the bottom contains chapter 112 from the Qur’an (Sura al-Ikhlas).
The minute kufic inscriptions have not yet been deciphered.
These religious invocations and Qur’an 112 often appear in funerary contexts, suggesting that this textile may have been part of a tomb cover.
Although patched and repaired along the left side, much of the panel appears to be a continuous fabric.
Because it has been trimmed on all sides, it does not preserve selvedges or a full-loom width.
The textile was woven on a draw loom, and its technical repeat unit measures about 23.
3 cm in weft direction.
All the inscriptions begin along the same vertical (warp) axis.
In its faded condition, the textile appears as a tan ground with thuluth inscriptions in yellow and off-white and kufic inscriptions in dark blue and two-shades of green.
A small and highly fragmentary textile at the Yale University Art Gallery (1937.
4787) appears to be from the same textile; it partially preserves a text panel that is missing here.
Texts الله أكبر God is greatest.
يا حنان يا منان O Generous! O Merciful! لا فتى إلا علي لا سيف إلا ذو الفقار There is no hero like `Ali; there is no sword like Dhu’l-Fiqar Qur’an 112.

Related Results

Epigraphic Textile
Epigraphic Textile
On the central section of this textile, an inscription in monumental thuluth script is repeated twelve times. The text comes from the Sura al-Fath (Victory, 48:3): “And that Allah...
Epigraphic Textile
Epigraphic Textile
The design of this textile consists of a repeating, mirrored inscription in cartouches separated by quatrefoil motifs. The inscription gives a date of 1122 H or 1710/1711 and reads...
Bowl Inscribed with a Saying of 'Ali ibn Abi Talib
Bowl Inscribed with a Saying of 'Ali ibn Abi Talib
Written around the rim of this bowl in a “new style” Kufic, with ascenders deflected abruptly to the left, is an epigram in Arabic attributed to Ali ibn Abi Talib, the son-in-law o...
Dance belt
Dance belt
362-187Hopi woven belt, faja (TK); wool; l. 239 cm., w. 9 cm.; ca. 1880.\Such belts were usually used by women to secure their dress, but on ceremonial occasions men adopted these ...
Fragment with Two Vines
Fragment with Two Vines
Two inwoven tapestry woven bands run across this textile. The bands take the form of thick undulating vines with grape leaves occurring at regular intervals. Each leaf is preceded ...
Large Cover or Shroud
Large Cover or Shroud
This large textile in tapestry and loop cloth is decorated with wide bands and panels in purple with dense designs of interlace executed in flying shuttle. At both ends of the text...
Fragments of a Textile Hanging with Female Busts
Fragments of a Textile Hanging with Female Busts
This fragmentary tapestry-woven textile depicts five female busts representing well dressed woman interspersed with stylized pink and green palmettes. The exact orientation of thes...
Crystal brooch
Crystal brooch
Crystal brooch' (1997.10) is a more or less square brooch, with a point forward. A piece of wood is covered with textile, which is painted with white acrylics. Graphite has been ap...

Back to Top