Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Forms of Vishnu, Kalamkari textile

View through Harvard Museums
This large cotton textile is has painted mordant and dye designs depicting scenes of the various incarnations, or avatars, of the Hindu god Vishnu. Known as kalamkari ("pen-work"), textiles of this type and manufacture have been produced in India for centuries, for domestic use as well as for export to Southeast Asia and Europe. This example is from the Coromandel Coast in the southern state of Andhra Pradesh, and likely originated around the turn of the 20th century from worshops in Kalahasti or Masulipatam. The composition of this work is divided into six vertical registers contained within a border of round floral repeat designs. A large scene of seated Vishnu, flanked by two standing attendants (possibly Bhu and Shri) is placed in the center of the composition, reaching two registers in height. Above and below this image, individual scenes of Vishnu are represented inside distinct cells within the registers. Text boxes help to delineate the registers, and the text, in Telegu script appears to describe the individual scenes. The textile is painted with iron mordants and vegetable dyes. Most noticable is the use of indigo to paint the blue body of Vishnu. The rest of the palate is restricted to warm brown tones. The cotton ground color is off-white to light brown.
Department of Islamic & Later Indian Art Purchased by Mrs. Cornelia Mongomery in an antique shop in Kennebunkport ME around 1950. Has been in the collection of Mrs. Mongomery ever since. Harvard Art Museums/Arthur M. Sackler Museum Gift of Cornelia Montgomery in memory of Professor Benjamin Rowland
Title: Forms of Vishnu, Kalamkari textile
Description:
This large cotton textile is has painted mordant and dye designs depicting scenes of the various incarnations, or avatars, of the Hindu god Vishnu.
Known as kalamkari ("pen-work"), textiles of this type and manufacture have been produced in India for centuries, for domestic use as well as for export to Southeast Asia and Europe.
This example is from the Coromandel Coast in the southern state of Andhra Pradesh, and likely originated around the turn of the 20th century from worshops in Kalahasti or Masulipatam.
The composition of this work is divided into six vertical registers contained within a border of round floral repeat designs.
A large scene of seated Vishnu, flanked by two standing attendants (possibly Bhu and Shri) is placed in the center of the composition, reaching two registers in height.
Above and below this image, individual scenes of Vishnu are represented inside distinct cells within the registers.
Text boxes help to delineate the registers, and the text, in Telegu script appears to describe the individual scenes.
The textile is painted with iron mordants and vegetable dyes.
Most noticable is the use of indigo to paint the blue body of Vishnu.
The rest of the palate is restricted to warm brown tones.
The cotton ground color is off-white to light brown.

Related Results

Vishnu
Vishnu
Gilt-copper alloy, Thakuri period, Nepal (Kathmandu Valley)...
Narasimha, Vishnu’s Man-Lion Avatar
Narasimha, Vishnu’s Man-Lion Avatar
Wood with cloth and polychrome, Southern India Tamil Nadu probably Thanjavur district...
Enthroned Vishnu
Enthroned Vishnu
Granulite, Pandyan period (early 4th–13th century), India...
Standing Vishnu as Keshava
Standing Vishnu as Keshava
Stone, Hoysala period, India (Karnataka probably Belur)...
Vaikuntha Vishnu
Vaikuntha Vishnu
Stone, India (Jammu & Kashmir ancient kingdom of Kashmir)...
Epigraphic Textile
Epigraphic Textile
On the central section of this textile, an inscription in monumental thuluth script is repeated twelve times. The text comes from the Sura al-Fath (Victory, 48:3): “And that Allah...
Fragment with Two Vines
Fragment with Two Vines
Two inwoven tapestry woven bands run across this textile. The bands take the form of thick undulating vines with grape leaves occurring at regular intervals. Each leaf is preceded ...
Two Textile Fragments with Red Tapestry Bands
Two Textile Fragments with Red Tapestry Bands
Two textile fragments that share red tapestry inwoven bands; these bands feature alternating buff colored birds and stylized plants inside lozenges formed of vines. The vines are n...

Back to Top