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glasmålning, målning, painting
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Jmf, the preamble to no., 21 and to no. 30. 1/Sri-Ranganatha An epithet added Vishnu, the name of the idol in the pagoda of Sri-Rang when Trichinopoli, (Orig. nr. 2.021) India (the catalogue general).
Resting Vishnu (blue). Sri Ranganatha is one of Vishnus avatars, but a less significant one than the Dasavatars. In this form, he is mainly revered in the Ranganatha Temple in Sriangam. (Rao, 1914: 269.)
Ritual Handposture (mudra): Raising the hand of the deity below the dormant Vishnu Ranganatha in abhaya-mudra/hasta, a symbolic handstand expressing patronage. (Rao, 1914: 14.)
Iconographic details: Both Ranganatha and the deity below him wear a golden, jewel-obsessed crown (kirita-mukuta) on his head. The goddess below Vishnu has in her right hand (rear) a discus (chakra) and in the left (rear) a trumpet snack (sankha). (Niklas, 2000) [ocr]
Title: glasmålning, målning, painting
Description:
Jmf, the preamble to no.
, 21 and to no.
30.
1/Sri-Ranganatha An epithet added Vishnu, the name of the idol in the pagoda of Sri-Rang when Trichinopoli, (Orig.
nr.
2.
021) India (the catalogue general).
Resting Vishnu (blue).
Sri Ranganatha is one of Vishnus avatars, but a less significant one than the Dasavatars.
In this form, he is mainly revered in the Ranganatha Temple in Sriangam.
(Rao, 1914: 269.
)
Ritual Handposture (mudra): Raising the hand of the deity below the dormant Vishnu Ranganatha in abhaya-mudra/hasta, a symbolic handstand expressing patronage.
(Rao, 1914: 14.
)
Iconographic details: Both Ranganatha and the deity below him wear a golden, jewel-obsessed crown (kirita-mukuta) on his head.
The goddess below Vishnu has in her right hand (rear) a discus (chakra) and in the left (rear) a trumpet snack (sankha).
(Niklas, 2000) [ocr].
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