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St Lawrence, in the Caligula Troper
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Made up of fragments from a late Anglo-Saxon
liturgical chant book, the Caligula Troper's illuminations
introduce songs which would be inserted into the mass on special
feast days and sung by a soloist, hence the book's small scale. The
pictures' geometric abstraction of form and use of vibrant colours
embellished with gold give an opulence that speaks of manufacture
for use by an important figure. It is named for its 17th-century
position in a bookcase supporting a bust of Caligula in the Cotton
rare books library. Its selection of tropes (songs) and where it
was in the Middle Ages suggest origins at Winchester or
Worcester.The artist exploited the page's vertical format to create
a two-for-one depiction for the feast of St Lawrence. In episode
one, we see Lawrence being manhandled before his demon-driven
persecutor, Decius (upper left), who presses the saint to worship
pagan gods. The blank scrolls crossing the scene were meant as
dialogue 'balloons'. The lower scene depicts his martyrdom: being
grilled over flames. The poem written around the painting describes
the events.
Title: St Lawrence, in the Caligula Troper
Description:
Made up of fragments from a late Anglo-Saxon
liturgical chant book, the Caligula Troper's illuminations
introduce songs which would be inserted into the mass on special
feast days and sung by a soloist, hence the book's small scale.
The
pictures' geometric abstraction of form and use of vibrant colours
embellished with gold give an opulence that speaks of manufacture
for use by an important figure.
It is named for its 17th-century
position in a bookcase supporting a bust of Caligula in the Cotton
rare books library.
Its selection of tropes (songs) and where it
was in the Middle Ages suggest origins at Winchester or
Worcester.
The artist exploited the page's vertical format to create
a two-for-one depiction for the feast of St Lawrence.
In episode
one, we see Lawrence being manhandled before his demon-driven
persecutor, Decius (upper left), who presses the saint to worship
pagan gods.
The blank scrolls crossing the scene were meant as
dialogue 'balloons'.
The lower scene depicts his martyrdom: being
grilled over flames.
The poem written around the painting describes
the events.
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