Javascript must be enabled to continue!
Carl Nielsen, Ebbe Hamerik and the First Symphony
View through CrossRef
In 1928, the Danish composer and conductor Ebbe Hamerik gave a performance of Nielsen’s First Symphony, containing scattered changes in the original instrumentation and a rather drastic change of a certain passage in the fourth movement, which is clearly to be seen from the score and the parts used by Hamerik for his performance. In the standard literature on Carl Nielsen it is related how Nielsen heard this performance, and how towards Emil Telmányi, his son-in-law, he showed his strong disapproval of Hamrik’s intervention – to such a degree that he insisted on performing the work himself a fortnight later in order to show how he, the composer, really wanted the work. Through a study of a number of sources, illuminating these matters it is shown that Nielsen, very far from disapproving Hamerik’s version found it highly convincing and apparently used Hamerik’s parts and score for his own performance two weeks later. It even appears that Nielsen himself actually composed the changed passage in the fourth movement and probably sent it to Hamerik to be orchestrated.
Title: Carl Nielsen, Ebbe Hamerik and the First Symphony
Description:
In 1928, the Danish composer and conductor Ebbe Hamerik gave a performance of Nielsen’s First Symphony, containing scattered changes in the original instrumentation and a rather drastic change of a certain passage in the fourth movement, which is clearly to be seen from the score and the parts used by Hamerik for his performance.
In the standard literature on Carl Nielsen it is related how Nielsen heard this performance, and how towards Emil Telmányi, his son-in-law, he showed his strong disapproval of Hamrik’s intervention – to such a degree that he insisted on performing the work himself a fortnight later in order to show how he, the composer, really wanted the work.
Through a study of a number of sources, illuminating these matters it is shown that Nielsen, very far from disapproving Hamerik’s version found it highly convincing and apparently used Hamerik’s parts and score for his own performance two weeks later.
It even appears that Nielsen himself actually composed the changed passage in the fourth movement and probably sent it to Hamerik to be orchestrated.
Related Results
TRANSFORMATION OF THE SYMPHONY GENRE UNDER EXTRAORDINARY CIRCUMSTANCES: THE CASE OF KARMELLA TSEPKOLENKO’S FUNERAL SYMPHONY
TRANSFORMATION OF THE SYMPHONY GENRE UNDER EXTRAORDINARY CIRCUMSTANCES: THE CASE OF KARMELLA TSEPKOLENKO’S FUNERAL SYMPHONY
The article pays particular attention to the development of the Ukrainian symphony. In the twentieth century, transformative processes within the symphonic genre intensified, drive...
Regionalizing the Nation: The Symphonies of Franz Lachner and Emilie Mayer in Relationship to German National Identity
Regionalizing the Nation: The Symphonies of Franz Lachner and Emilie Mayer in Relationship to German National Identity
Abstract
Historians of nationalisms and national-identity construction increasingly analyze identities at various geographical levels, especially the local, regional...
Carl Nielsen – The Human Crisis, Then and Now
Carl Nielsen – The Human Crisis, Then and Now
Beginning with an account of the context in which the Carl Nielsen Brevudgaven (translated: The Carl Nielsen Letter Edition) began, this paper describes the source material for the...
Carl Nielsen and Tivoli
Carl Nielsen and Tivoli
The basis for the article is a complete overview covering every performance of music by Carl Nielsen in the summer season of the Copenhagen pleasure garden, Tivoli, during the comp...
Alternative Neo-Riemannian Approaches to Carl Nielsen
Alternative Neo-Riemannian Approaches to Carl Nielsen
On the basis of songs or songlike themes from three periods of Nielsen’s career I try to show how Nielsen’s harmonic progressions become simpler while displaying a more refined com...
The Renaissance of the American Symphony for Wind Band as Exemplified by the Recent Symphonies of Donald Grantham, David Dzubay, James Stephenson, and Kevin Walczyk
The Renaissance of the American Symphony for Wind Band as Exemplified by the Recent Symphonies of Donald Grantham, David Dzubay, James Stephenson, and Kevin Walczyk
Since the 18th century, composers have utilized the symphony to communicate thoughts and ideas through the vehicle of a large ensemble composed of a variety of instrumental colors....
Carl Nielsen in the United Kingdom
Carl Nielsen in the United Kingdom
The United Kingdom has always been receptive to the Danish composer Carl Nielsen. For a long time Great Britain was the only country outside Scandinavia to show interest in his wor...
Carl Nielsen and the Radio
Carl Nielsen and the Radio
On 1 April 1925 Denmark introduced national control of its hitherto privately run and relatively chaotic radio broadcasting. Denmark would quickly show itself to be one of Europe’s...

