Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Carl Nielsen and Tivoli

View through CrossRef
The basis for the article is a complete overview covering every performance of music by Carl Nielsen in the summer season of the Copenhagen pleasure garden, Tivoli, during the composer’s lifetime (1865-1931). For the first years after becoming a professional violinist, Nielsen made his living from playing in the Tivoli orchestra. And it was in Tivoli he made his official debut as a composer in 1887. When his fellow student from the Academy of Music, Frederik Schnedler-Petersen at the beginning of the summer season 1909 took over as musical director in Tivoli, the Nielsen performances really took flight. The article lists in all 744 performances, which stylistically range right from the popular songs to the symphonies. Schnedler-Petersen was not afraid to present the rather conservative Tivoli audience with some musical challenges whenever the orchestra’s rather tight work-schedule permitted a moment for rehearsing these. But as Nielsen’s music became increasingly experimental, he too had to give up. The sixth symphony (1925) was only performed once in Tivoli and the clarinet concerto (1928) not at all. Nielsen’s birthday on the 9th June was in the Tivoli season and Schnedler-Petersen nearly always found some way of marking the event. Nielsen’s 60th birthday in 1925 was particularly festive with performances by the three Tivoli orchestras, a torchlight procession and a banquet in one of the best restaurants in Tivoli. Finally the article also briefly describes Schnedler-Petersen’s efforts outside Tivoli on behalf of Carl Nielsen, not least abroad where he was without any doubt the composer’s most diligent musical ambassador.
Det Kgl. Bibliotek/Royal Danish Library
Title: Carl Nielsen and Tivoli
Description:
The basis for the article is a complete overview covering every performance of music by Carl Nielsen in the summer season of the Copenhagen pleasure garden, Tivoli, during the composer’s lifetime (1865-1931).
For the first years after becoming a professional violinist, Nielsen made his living from playing in the Tivoli orchestra.
And it was in Tivoli he made his official debut as a composer in 1887.
When his fellow student from the Academy of Music, Frederik Schnedler-Petersen at the beginning of the summer season 1909 took over as musical director in Tivoli, the Nielsen performances really took flight.
The article lists in all 744 performances, which stylistically range right from the popular songs to the symphonies.
Schnedler-Petersen was not afraid to present the rather conservative Tivoli audience with some musical challenges whenever the orchestra’s rather tight work-schedule permitted a moment for rehearsing these.
But as Nielsen’s music became increasingly experimental, he too had to give up.
The sixth symphony (1925) was only performed once in Tivoli and the clarinet concerto (1928) not at all.
Nielsen’s birthday on the 9th June was in the Tivoli season and Schnedler-Petersen nearly always found some way of marking the event.
Nielsen’s 60th birthday in 1925 was particularly festive with performances by the three Tivoli orchestras, a torchlight procession and a banquet in one of the best restaurants in Tivoli.
Finally the article also briefly describes Schnedler-Petersen’s efforts outside Tivoli on behalf of Carl Nielsen, not least abroad where he was without any doubt the composer’s most diligent musical ambassador.

Related Results

Carl Nielsen – The Human Crisis, Then and Now
Carl Nielsen – The Human Crisis, Then and Now
Beginning with an account of the context in which the Carl Nielsen Brevudgaven (translated: The Carl Nielsen Letter Edition) began, this paper describes the source material for the...
Alternative Neo-Riemannian Approaches to Carl Nielsen
Alternative Neo-Riemannian Approaches to Carl Nielsen
On the basis of songs or songlike themes from three periods of Nielsen’s career I try to show how Nielsen’s harmonic progressions become simpler while displaying a more refined com...
Carl Nielsen and the Radio
Carl Nielsen and the Radio
On 1 April 1925 Denmark introduced national control of its hitherto privately run and relatively chaotic radio broadcasting. Denmark would quickly show itself to be one of Europe’s...
Carl Nielsen and his Organ Preludes in the Context of Hans Henny Jahnn, Hugo Distler and Ernst Pepping
Carl Nielsen and his Organ Preludes in the Context of Hans Henny Jahnn, Hugo Distler and Ernst Pepping
In summer 1931 a correspondence between Carl Nielsen and the German author Hans Henny Jahnn (1894-1959) started. Jahnn was organ builder and publisher of music in unison. He knew t...
Nielsen's 'Saul and David' as Tragedy: The Dialectics of Fate and Freedom in Drama and Music
Nielsen's 'Saul and David' as Tragedy: The Dialectics of Fate and Freedom in Drama and Music
In previous studies of Carl Nielsen’s opera Saul og David , Einar Christiansen’s libretto as been compared to the biblical story, and the similarities and differences duly noted. R...
Carl Nielsen and Nancy Dalberg. Nancy Dalberg as Carl Nielsen’s Pupil, Assistant and Patron
Carl Nielsen and Nancy Dalberg. Nancy Dalberg as Carl Nielsen’s Pupil, Assistant and Patron
This article throws light on the connection between Nielsen and Nancy Dalberg, one of his less well-known composition pupils. She studied with Nielsen from c . 1912, and in the fol...
Nielsen – Brod – Janáček
Nielsen – Brod – Janáček
This article probes the musical relationship between Carl Nielsen and Leoš Janaček. Their mutual friend Max Brod was convinced that the two composers were spiritually related. A co...
Carl Nielsen, Ebbe Hamerik and the First Symphony
Carl Nielsen, Ebbe Hamerik and the First Symphony
In 1928, the Danish composer and conductor Ebbe Hamerik gave a performance of Nielsen’s First Symphony, containing scattered changes in the original instrumentation and a rather dr...

Back to Top