Shou hsien Ts'ai hou mu ch'u t'u i wu

The chapter analyzes the sense of “Japanese” in the film Café Lumière, in other words, the fact that many of the Japanese audience felt that it was a “Japanese film.” The “Japanese...

This article traces some ways in which contemporary filmmakers have borrowed from and referred to the work of Ozu Yasujiro. In particular, the works of Wayne Wang, Hou Hsiao-hsien,...