Javascript must be enabled to continue!
Le Peuple faisant fermer l'Opéra
View through Europeana Collections
"No. 4\nLe Peuple faisant fermer l'Opéra\nle 12 juillet 1789.\nPrieur Inv. & del.\nBerthault Sculp.\"
Kunstbibliothek, Staatliche Museen zu Berlin
Title: Le Peuple faisant fermer l'Opéra
Description:
"No.
4\nLe Peuple faisant fermer l'Opéra\nle 12 juillet 1789.
\nPrieur Inv.
& del.
\nBerthault Sculp.
\".
Related Results
Poster for the musical performance "Accademia Teatro Alla Scala-Song Recital" at the Thessaloniki Concert Hall
Poster for the musical performance "Accademia Teatro Alla Scala-Song Recital" at the Thessaloniki Concert Hall
Domenico Cimarosa: Aria “Cara, non dubitar” from the opera The Secret Marriage (1749-1801) Noemi Muschetti soprano
Paolo Antonio Nevi tenor
Gaetano Donizetti: Aria "Come Paride vez...
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Part I
G. Puccini: Oh mio babbino caro
Lauretta's aria from the opera Gianni Schicchi
G. Puccini: Si, mi chiamano Mimi
Mimi's aria from the op...
Christina Nilsson, 1843-1921, opera-singer, as Ofelia
Christina Nilsson, 1843-1921, opera-singer, as Ofelia
Christina Nilsson (1843–1921) came from modest circumstances in the province of Småland, in southern Sweden. She moved to Paris, triumphed as an opera-singer and toured all over th...
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of th...
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Fra...
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l
Engraving, (XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli Paris (Pietro and Francesco Piranesi ...
Neptune lovingly embraces the contours of his dear Thetis (Neptune enlace de ses bras amoureux les contours de sa chère Thétis), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli
Neptune lovingly embraces the contours of his dear Thetis (Neptune enlace de ses bras amoureux les contours de sa chère Thétis), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli
Engraving, (XXVI) Peintures de la Ville Altoviti à Rome inventées par Michelange Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Pirane...
Flora, the Spring: the goddess at her toilette; braiding her hair with a garland of flowers (Flore, le Printemps: la Déesse est à sa toillette; / elle tresse ses cheveux d'un guirlande de fleurs), from "Peintures de la Ville Altoviti à Rome, inventées par
Flora, the Spring: the goddess at her toilette; braiding her hair with a garland of flowers (Flore, le Printemps: la Déesse est à sa toillette; / elle tresse ses cheveux d'un guirlande de fleurs), from "Peintures de la Ville Altoviti à Rome, inventées par
Engraving, (XXVI) Peintures de la Ville Altoviti à Rome inventées par Michelange Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Pirane...

