Javascript must be enabled to continue!
Aida: stage set for Act IV, Scene 2
View through Europeana Collections
A scale model of Act IV, Scene 2 of Verdi’s opera “Aida”, created in 1880 by the illustrators Rubé Auguste and Chaperon Philippe. The Bibliothèque-Musée de l’Opéra preserves a hidden treasure: an exceptional collection of three-dimensional stage set models, which offer a valuable insight into 19th- and 20th-century theatrical practices. These models, built on a scale of 1:30, were much more than simple reductions: they served as essential working tools for set painters and craftsmen, enabling them to visualise and plan the construction of the sets. The assembled model measures approximately: length 44cm x width 35cm x height 35cm. It is made of multi-layered cardboard with matt gouache paint. The model belongs to the Bibliothèque nationale de France (BnF). It will be located at the collection storage room of the Bibliothèque-musée de l’Opéra. Location: Magasin Opéra Garnier, 8 Rue Scribe 75009 Paris
Aida: 3D modelling of the set for Act IV, Scene 2 – 3D modelling of the set for Act IV, Scene 2 of Verdi’s opera Aida. This is a 3D model. Each element of the model was scanned flat at a 1:1 scale using various resolutions to achieve the best possible quality in a single shot (Kaiser repro bench, Canon 5DsR, 70mm macro lens, Colochecker 24-patch test chart, white background). The images were post-processed in Photoshop to remove the background. The modelling was done in Blender v. 2.8-4 based on the restoration files and photographs of the assembled model in Gallica. (MODELLING) - Equipment used for mesh production: sensor brand: Canon, model: Canon 5DsR; software used: Blender, version: 2.8-4
National Library of France
Title: Aida: stage set for Act IV, Scene 2
Description:
A scale model of Act IV, Scene 2 of Verdi’s opera “Aida”, created in 1880 by the illustrators Rubé Auguste and Chaperon Philippe.
The Bibliothèque-Musée de l’Opéra preserves a hidden treasure: an exceptional collection of three-dimensional stage set models, which offer a valuable insight into 19th- and 20th-century theatrical practices.
These models, built on a scale of 1:30, were much more than simple reductions: they served as essential working tools for set painters and craftsmen, enabling them to visualise and plan the construction of the sets.
The assembled model measures approximately: length 44cm x width 35cm x height 35cm.
It is made of multi-layered cardboard with matt gouache paint.
The model belongs to the Bibliothèque nationale de France (BnF).
It will be located at the collection storage room of the Bibliothèque-musée de l’Opéra.
Location: Magasin Opéra Garnier, 8 Rue Scribe 75009 Paris
Aida: 3D modelling of the set for Act IV, Scene 2 – 3D modelling of the set for Act IV, Scene 2 of Verdi’s opera Aida.
This is a 3D model.
Each element of the model was scanned flat at a 1:1 scale using various resolutions to achieve the best possible quality in a single shot (Kaiser repro bench, Canon 5DsR, 70mm macro lens, Colochecker 24-patch test chart, white background).
The images were post-processed in Photoshop to remove the background.
The modelling was done in Blender v.
2.
8-4 based on the restoration files and photographs of the assembled model in Gallica.
(MODELLING) - Equipment used for mesh production: sensor brand: Canon, model: Canon 5DsR; software used: Blender, version: 2.
8-4.
Related Results
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur...
Nestoris (two-handled jar) with Mythological Scenes
Nestoris (two-handled jar) with Mythological Scenes
Red-figured Lucanian Type II nestoris. Broad ring foot with mid-length stem. Body flares from stem, rounds up, and turns in sharply to form a relatively narrow, flat shoulder. Neck...
Column Krater (mixing bowl for wine and water): Theseus and Poseidon; Musician and Audience
Column Krater (mixing bowl for wine and water): Theseus and Poseidon; Musician and Audience
On one side: the Athenian hero Theseus visits his divine father Poseidon. Theseus’s mother was Aethra, and ancient sources sometimes consider him to be the son of her husband, Aege...
Three specimens of gem setting, a scarf pin with a bust of Saint George, a bust of a soldier, and a fleur de lys, gold and silver set with gem-stones, John Whenman, England (London), 1864. Three specimens of gem setting under a glass dome. The shield belo
Three specimens of gem setting, a scarf pin with a bust of Saint George, a bust of a soldier, and a fleur de lys, gold and silver set with gem-stones, John Whenman, England (London), 1864. Three specimens of gem setting under a glass dome. The shield belo
Three specimens of gem setting, a scarf pin with a bust of Saint George, a bust of a soldier, and a fleur de lys, gold and silver set with gem-stones, John Whenman, England (London...
The goddess Calypso rescues Odysseus
The goddess Calypso rescues Odysseus
The subject is unusual and disputed. In Sluijter-Seiffert’s study of the artist, it is simply referred to as “Landscape with Nymph” and it has also been called “Scene from the scap...
Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in silver, West Europe, 1780. Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in silver. Gold set with a chrysoberyl, surrounded by pastes set in silver.
Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in silver, West Europe, 1780. Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in silver. Gold set with a chrysoberyl, surrounded by pastes set in silver.
Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in silver, West Europe, 1780. Gold 'giardinetti' ring, set with a chrysoberyl, surrounded by pastes set in...
Hydria (water jar): Priam Driving Forth
Hydria (water jar): Priam Driving Forth
The main scene on this hydria illustrates King Priam charging forth in a chariot to ransom for the body of Hector. King Priam is seated in the chariot and on his right is his chari...
Tomáš Jan Pešina from Čechořid, Bishop of Samandrienský and Dean of the Holy See Chapter, elevates, on the basis of a palatinate awarded to him by Emperor Leopold I, Matthias Ignatius Ferdinand Nezbeda, originally from the Beginning to the Noble, awards h
Tomáš Jan Pešina from Čechořid, Bishop of Samandrienský and Dean of the Holy See Chapter, elevates, on the basis of a palatinate awarded to him by Emperor Leopold I, Matthias Ignatius Ferdinand Nezbeda, originally from the Beginning to the Noble, awards h
Character: description on folk. 2a - 3b, miniature on folk. 3a, 198 x 193 mm.
A blue shield with a golden spike in which there is a silver anchor, in blue fields there is one red r...

