Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Women of Pal Joey

View through CrossRef
Abstract Pal Joey features four female character archetypes: the shrewd, wealthy woman of taste; the sleazy nightclub chorine; the innocent ingénue; and the hard-boiled reporter. All four of these types had appeared on Broadway (and in film) before. In Pal Joey two of them—the ingénue, Linda, and the nightclub singer, Gladys—are parodies. Linda serves as a foil to the typical ingénue trope, and doesn’t develop as a character. Gladys is a stereotype, albeit a funny one, of the tough-talking nightclub chanteuse. Vera is, truly, the only female character in Pal Joey to be afforded a complex inner life. The character Melba, however, offers the audience shrewd commentary on the conventions that Pal Joey sends up. This chapter looks specifically at the character Vera, played by Vivienne Segal, and the song “Zip,” sung by the character Melba and performed by Jean Casto and Elaine Stritch.
Oxford University PressNew York
Title: The Women of Pal Joey
Description:
Abstract Pal Joey features four female character archetypes: the shrewd, wealthy woman of taste; the sleazy nightclub chorine; the innocent ingénue; and the hard-boiled reporter.
All four of these types had appeared on Broadway (and in film) before.
In Pal Joey two of them—the ingénue, Linda, and the nightclub singer, Gladys—are parodies.
Linda serves as a foil to the typical ingénue trope, and doesn’t develop as a character.
Gladys is a stereotype, albeit a funny one, of the tough-talking nightclub chanteuse.
Vera is, truly, the only female character in Pal Joey to be afforded a complex inner life.
The character Melba, however, offers the audience shrewd commentary on the conventions that Pal Joey sends up.
This chapter looks specifically at the character Vera, played by Vivienne Segal, and the song “Zip,” sung by the character Melba and performed by Jean Casto and Elaine Stritch.

Related Results

Pal Joey Goes to Hollywood
Pal Joey Goes to Hollywood
Abstract The 1957 screen adaptation of Pal Joey—starring Frank Sinatra as Joey, Rita Hayworth as Vera, and Kim Novak as Linda—redeems Joey. Now a singer rather than ...
Pregnant Prisoners in Shackles
Pregnant Prisoners in Shackles
Photo by niu niu on Unsplash ABSTRACT Shackling prisoners has been implemented as standard procedure when transporting prisoners in labor and during childbirth. This procedure ensu...
The Women Who Don’t Get Counted
The Women Who Don’t Get Counted
Photo by Hédi Benyounes on Unsplash ABSTRACT The current incarceration facilities for the growing number of women are depriving expecting mothers of adequate care cruci...
Joey Dances
Joey Dances
Abstract In musical theater criticism, dance is too often considered secondary to the total effect of a show. In Pal Joey, dance did much more than tell a story—it v...
Introduction
Introduction
Abstract The introductory chapter establishes the significance of Pal Joey in its own time by delving into the more controversial aspects of the show and its recepti...
Pal Joey
Pal Joey
Abstract The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart’s classic musical comedy Pal Joey (1940). When Pal Joey opened...
Zero to hero
Zero to hero
Western images of Japan tell a seemingly incongruous story of love, sex and marriage – one full of contradictions and conflicting moral codes. We sometimes hear intriguing stories ...
Conclusion
Conclusion
Abstract This chapter considers the afterlife of Pal Joey, exploring the reasons for the success of some productions, and for the failure of a host of others. More r...

Back to Top