Conclusion

Abstract This chapter considers the afterlife of Pal Joey, exploring the reasons for the success of some productions, and for the failure of a host of others. More recent critiques of Pal Joey of the script, and the use of slang, in particular—frequently point out how dated the show is. John O’Hara’s writing is so specific to time and place that it can appear outmoded, or, to use a term supplied by a number of critics, tacky. This particular face of American identity has also been copied, parodied, and overplayed in both foreign and domestic film and theater. Joey has a slippery character, beguiling and bewildering producers and directors since its premiere.