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Wilhelm Dhilthey's Hermeneutic Analysis on Rahwana's the Voice of the Heart
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In this study, he studied a poem by Djoko Saryono entitled Rahwana's the Voice of the Heart. Researchers reviewed by analyzing the lyrics and background of the author and the creation of the poem. The lyrics analyzed will be parsed and interpreted for meaning. While the background is in the form of experiences and background of Djoko Saryono. This research uses qualitative descriptive research methods derived from the poem Rahwana's the Voice of the Heart. This study used three concepts from Wilhelm Dilthey namely erlebnis (life experience), ausdruck (expression), verstehen (understanding). Djoko Saryono has experience living in the field of culture that has a long process, and it has been believed that having knowledge about culture, art, and literature with evidence is often invited to be a resource person. Since childhood, he has been dabbling and loves puppetry. In addition, Djoko Saryono has credibility with evidence of many books published and has been one of the institutions in the arts. Therefore, the writing of the poem Rahwana's the Voice of the Heart is influenced by his background, which has long been in the field of culture. Especially the puppetry that takes the figure of Rahwana as one of the figures that are indeed interesting to discuss. The concept of ausdruck according to hermeneutic Wilhelm Dilthey in the poem Rahwana's the Voice of the Heart is divided into two parts, namely: 1) the style of language and the diction of the poem Rahwana's the Voice of the Heart is used to understand the poem of The Voice of The Heart of Rahwana and 2) the expression djoko Saryono in the poem Rahwana's the Voice of the Heart. The concept of verstehen that can be understood in the poem entitled “Rahwana's the Voice of the Heart” is, Rahwana, which is interpreted as a figure that describes the thoughts of Djoko Saryono. Rahwana, who objected to the reproach he received, was a depiction of Djoko Saryono himself.
Al-Kindi Center for Research and Development
Title: Wilhelm Dhilthey's Hermeneutic Analysis on Rahwana's the Voice of the Heart
Description:
In this study, he studied a poem by Djoko Saryono entitled Rahwana's the Voice of the Heart.
Researchers reviewed by analyzing the lyrics and background of the author and the creation of the poem.
The lyrics analyzed will be parsed and interpreted for meaning.
While the background is in the form of experiences and background of Djoko Saryono.
This research uses qualitative descriptive research methods derived from the poem Rahwana's the Voice of the Heart.
This study used three concepts from Wilhelm Dilthey namely erlebnis (life experience), ausdruck (expression), verstehen (understanding).
Djoko Saryono has experience living in the field of culture that has a long process, and it has been believed that having knowledge about culture, art, and literature with evidence is often invited to be a resource person.
Since childhood, he has been dabbling and loves puppetry.
In addition, Djoko Saryono has credibility with evidence of many books published and has been one of the institutions in the arts.
Therefore, the writing of the poem Rahwana's the Voice of the Heart is influenced by his background, which has long been in the field of culture.
Especially the puppetry that takes the figure of Rahwana as one of the figures that are indeed interesting to discuss.
The concept of ausdruck according to hermeneutic Wilhelm Dilthey in the poem Rahwana's the Voice of the Heart is divided into two parts, namely: 1) the style of language and the diction of the poem Rahwana's the Voice of the Heart is used to understand the poem of The Voice of The Heart of Rahwana and 2) the expression djoko Saryono in the poem Rahwana's the Voice of the Heart.
The concept of verstehen that can be understood in the poem entitled “Rahwana's the Voice of the Heart” is, Rahwana, which is interpreted as a figure that describes the thoughts of Djoko Saryono.
Rahwana, who objected to the reproach he received, was a depiction of Djoko Saryono himself.
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