ANALISIS GERAK TARI ANOMAN RAHWANA KARYA DIDIK BAMBANG WAHYUDI

The Anoman Rahwana dance is a dance work in the form of fragments created by Didik Bambang Wahyudi in 1987. This study aims to describe the form of presentation, analysis of motion, and the formation of dance movements of Anoman Rahwana. The research method used is descriptive analytic method with qualitative data, which goes through the stages of data collection, namely observation, interviews, and literature study. The problems that exist in this study are discussed using Soedarsono's theoretical basis to analyze the form of presentation, while for motion analysis using Soedarsono's theoretical basis and motion formation using Doris Humphrey's theory. The results obtained from this study are the Anoman Rahwana dance which discusses the form of the dish, in which there is a structure of the dish which is divided into four parts. Dramatic design in the form of a double cone, with the theme of the war between Anoman and Ravana. Make-up and costumes use the characters in each character, props use swords and candrasa, music design uses Javanese gamelan and uses Antawecana as dialogue, and dance moves derived from Surakarta-style dance moves. The analysis of Anoman Rahwana's dance moves contains representational movements that have a clear meaning and non-representational movements that are worked on to get an artistic form. The formation of Anoman Rahwana's dance movements in its movement patterns contains more designs of opposing lines, dynamics with various different tempos, using functional rhythms and mechanisms, as well as movement motivations inspired by everyday life, as connecting movements or transitions and to distinguish patterns motion in the character of the Surakarta style dashing dance.