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Situating the Concert for Piano and Orchestra

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This chapter provides the background and the conditions for the composition of the Concert for Piano and Orchestra. It discusses, on the basis of sketch material, how Cage composed the predecessor pieces, Music for Piano and Winter Music. It discusses the hidden influence of Cage’s teacher, Schoenberg, on his thinking about musical process, and details Cage’s imperfect, but significant, knowledge of jazz.
Title: Situating the Concert for Piano and Orchestra
Description:
This chapter provides the background and the conditions for the composition of the Concert for Piano and Orchestra.
It discusses, on the basis of sketch material, how Cage composed the predecessor pieces, Music for Piano and Winter Music.
It discusses the hidden influence of Cage’s teacher, Schoenberg, on his thinking about musical process, and details Cage’s imperfect, but significant, knowledge of jazz.

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