Friedrich Keller, ein schwäbischer Realist

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes prov...

The “New Humeans” attribute to Hume what they call a “skeptical realist” view. A skeptical realist about some entity is realist about the entity’s existence, but agnostic about the...

This chapter begins in the late nineteenth century and argues that the interviewer becomes a powerful foil for realist writers in this era of celebrity. The new figure of the inter...

Towards a Realist Philosophy of History argues for the radical—at least in contemporary historical theory—view that historians are by and large successful in their goal of providin...

Given Wharton’s broad education in European languages and cultures, the absence of a full-length study of the influence of German thinking and aesthetics on her creative work has l...

Ulrich Seidl (*1952) hat einen nahezu unvergleichlichen Stil, der bis zu seinem ersten Film "Einsvierzig" (1980) zurückreicht. In der Folgezeit drehte Seidl über zwei Dutzend Filme...