Javascript must be enabled to continue!
Berio’s Duetti per due violini: An introduction
View through CrossRef
Abstract
This article is the summary of a workshop on the violin duets of Béla Bartók and Luciano Berio, and the pedagogical implications of the works. Bartók’s Forty-Four Duos are based on folk melodies, and in this workshop, we explored how the text of certain melodies are recreated using tone-painting in the music. Luciano Berio’s 34 Duetti were inspired by the Duos of Bartók, and each duet focuses on a specific technique or concept in twentieth-century music. Like Bartók did with his Duos, Berio also intended his pieces to be performed by children as well as professionals. In addition, Berio’s duets are each inspired by a person, story, or event. All duets refer to a person with their surname, including Béla [Bartók] (no. 1), Pierre [Boulez] (no. 14), Edoardo [Sanguinetti] (no. 20), Vinko [Globokar] (no. 22), Igor [Stravinky] (no. 28) or Lorin [Maazel] (no. 33). In this workshop we explored how Berio recreates these inspirations in his music.
Title: Berio’s Duetti per due violini: An introduction
Description:
Abstract
This article is the summary of a workshop on the violin duets of Béla Bartók and Luciano Berio, and the pedagogical implications of the works.
Bartók’s Forty-Four Duos are based on folk melodies, and in this workshop, we explored how the text of certain melodies are recreated using tone-painting in the music.
Luciano Berio’s 34 Duetti were inspired by the Duos of Bartók, and each duet focuses on a specific technique or concept in twentieth-century music.
Like Bartók did with his Duos, Berio also intended his pieces to be performed by children as well as professionals.
In addition, Berio’s duets are each inspired by a person, story, or event.
All duets refer to a person with their surname, including Béla [Bartók] (no.
1), Pierre [Boulez] (no.
14), Edoardo [Sanguinetti] (no.
20), Vinko [Globokar] (no.
22), Igor [Stravinky] (no.
28) or Lorin [Maazel] (no.
33).
In this workshop we explored how Berio recreates these inspirations in his music.
Related Results
Luciano Berio
Luciano Berio
Luciano Berio (b. 1925–d. 2003) was a leading figure in the postwar avant-garde. His subsequent reception and ongoing contributions to the history of 20th-century music during his ...
Salmi con una voce e doi violini, ed motteti con, e senza violini (Salzburg, 1654) by Andreas Hofer
Salmi con una voce e doi violini, ed motteti con, e senza violini (Salzburg, 1654) by Andreas Hofer
Andreas Hofer (1629–1684) published his Salmi con una voce e doi Violini, e Motetti con e senza violini in Salzburg in 1654, the year he was appointed vice kapellmeister by newly-e...
La didattica collettiva per quattro violini come complemento all’insegnamento strumentale
La didattica collettiva per quattro violini come complemento all’insegnamento strumentale
L’esperienza didattica di tutti i giorni ci porta ad affermare che l’insegnamento del violino può trarre enormi benefici dalle pratiche musicali collettive in ensemble più o meno g...
Aspectos de análisis textual y musical en los «Duetti e terzetti», op. III (1707) de Francesco Antonio Pistocchi / Aspects of Textual and Musical Analysis in «Duetti e terzetti», op. III (1707) by Francesco Antonio Pistocchi
Aspectos de análisis textual y musical en los «Duetti e terzetti», op. III (1707) de Francesco Antonio Pistocchi / Aspects of Textual and Musical Analysis in «Duetti e terzetti», op. III (1707) by Francesco Antonio Pistocchi
Los «Duetti e terzetti», op. III del reconocido músico italiano Francesco Antonio Pistocchi (1659-1726) –una colección impresa de doce composiciones vocales (diez duetos y dos terc...
Entre Sciarrino e Berio, entre modo e maneira
Entre Sciarrino e Berio, entre modo e maneira
Este trabalho se vale de alguns conceitos da história da arte para refletir sobre uma diferença geral e de ordem estética entre dois dos compositores italianos mais expressivos das...
LE STAGIONI DI JOMMELLI: CONVEGNO INTERNAZIONALE NEL TERZO CENTENARIO DELLA NASCITA DI NICCOLÒ JOMMELLI AVERSA AND NAPLES, 5–7 DECEMBER 2014
LE STAGIONI DI JOMMELLI: CONVEGNO INTERNAZIONALE NEL TERZO CENTENARIO DELLA NASCITA DI NICCOLÒ JOMMELLI AVERSA AND NAPLES, 5–7 DECEMBER 2014
In 1915, in the midst of war, a twenty-nine-year-old scholar by the name of Margherita Berio published an article that deplored the total lack of attention devoted to Niccolò Jomme...
Entretiens avec Rossana Dalmonte
Entretiens avec Rossana Dalmonte
À travers ses entretiens avec Rossana Dalmonte et ses essais sur la musique, Luciano Berio (1925-2004) fait apparaître la profondeur et la générosité d'une pensée qui s'est dévelop...
Sequenza IV de Luciano Berio
Sequenza IV de Luciano Berio
In this article, I write about my experience of learning and performing Sequenza IV by Luciano Berio. I discuss the technical problems that I found, as well as the strategies that ...

