Javascript must be enabled to continue!
Flux Stationery: Foot in Shoe (paper)
View through Harvard Museums
Maciunas designed and printed the Flux Stationery for inclusion in "Fluxpack 3", distributed by Multipla in Milan. The stationery was also distributed by Maciunas himself, and by "Wooster Enterprises Edition, New York City." In a 1978 interview with Larry Miller, Maciunas discusses the Flux Stationery in terms of his conception of functionalism, which he describes as "when the piece that you are doing has an inherent connection to the form." After discussing his Venus de Milo apron, Maciunas notes that "the envelopes were like gloves and the letters were like hands. Now, again, the function is now...an envelope and a glove...same function: the glove encloses the hand...an envelope encloses the hand. Now, a non-functional envelope would be an envelope showing let's say lots of flowers...And the letterhead may be wheat or something. So the one has no connection with the other, and the fact that why flowers have to be on an envelope, they could be on a carpet, too...Now that's the difference." The stationery certainly stands among the most "functional" of Maciunas's creations, many of which (such as the one-card Flux-deck, Flux-postage, or the variously modified table-tennis rackets) are specifically designed to thwart any attempt to use them for their ostensible purpose. Like the Venus de Milo apron (the idea of which has since become a mainstay in novelty shops the world over), the stationery serves as a rare example of a commercially possible (even viable) extension of Fluxus practice. -Jacob Proctor
Rights: © George Maciunas Foundation / Artists Rights Society (ARS), New York.
Department of Prints
Peter Soriano New York New York gift; to the Harvard University Art Museums December 16 2004.
Harvard Art Museums/Fogg Museum Gift of Peter Soriano
Title: Flux Stationery: Foot in Shoe (paper)
Description:
Maciunas designed and printed the Flux Stationery for inclusion in "Fluxpack 3", distributed by Multipla in Milan.
The stationery was also distributed by Maciunas himself, and by "Wooster Enterprises Edition, New York City.
" In a 1978 interview with Larry Miller, Maciunas discusses the Flux Stationery in terms of his conception of functionalism, which he describes as "when the piece that you are doing has an inherent connection to the form.
" After discussing his Venus de Milo apron, Maciunas notes that "the envelopes were like gloves and the letters were like hands.
Now, again, the function is now.
an envelope and a glove.
same function: the glove encloses the hand.
an envelope encloses the hand.
Now, a non-functional envelope would be an envelope showing let's say lots of flowers.
And the letterhead may be wheat or something.
So the one has no connection with the other, and the fact that why flowers have to be on an envelope, they could be on a carpet, too.
Now that's the difference.
" The stationery certainly stands among the most "functional" of Maciunas's creations, many of which (such as the one-card Flux-deck, Flux-postage, or the variously modified table-tennis rackets) are specifically designed to thwart any attempt to use them for their ostensible purpose.
Like the Venus de Milo apron (the idea of which has since become a mainstay in novelty shops the world over), the stationery serves as a rare example of a commercially possible (even viable) extension of Fluxus practice.
-Jacob Proctor.
Related Results
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural linen bag and a pair of metal and wood shoe trees.Bright red leather lace up sh
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural linen bag and a pair of metal and wood shoe trees.Bright red leather lace up sh
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural line...
Table Plateau
Table Plateau
BORDSPLATY Consisting of a bottom plate (plateau) with a mirror glass, two flower bowls with artificial bouquets, two fruit bowls with glass bowls, six confectionery bowls with gla...
Flux Stationery: Foot in Shoe (envelope)
Flux Stationery: Foot in Shoe (envelope)
Maciunas designed and printed the Flux Stationery for inclusion in "Fluxpack 3", distributed by Multipla in Milan. The stationery was also distributed by Maciunas himself, and by "...
Pair of man's shoes made of 18th century Russian calf leather, and shoe trees and shoe bags, made by New & Lingwood, Great Britain, 1989. Pair of men's brown calf leather brogued Oxfords with a pair of shoe trees and shoe bags. Calf leather.
Pair of man's shoes made of 18th century Russian calf leather, and shoe trees and shoe bags, made by New & Lingwood, Great Britain, 1989. Pair of men's brown calf leather brogued Oxfords with a pair of shoe trees and shoe bags. Calf leather.
Pair of man's shoes made of 18th century Russian calf leather, and shoe trees and shoe bags, made by New & Lingwood, Great Britain, 1989. Pair of men's brown calf leather brogued O...
Flux Stationery: Hand in Glove (envelope)
Flux Stationery: Hand in Glove (envelope)
Maciunas designed and printed the Flux Stationery for inclusion in "Fluxpack 3", distributed by Multipla in Milan. The stationery was also distributed by Maciunas himself, and by "...
For a boy: black leather with nailed sole and heel; Utility scheme; John White's brand made in England 1940-9. One of a pair of boy's shoes, made of black leather with a nailed leather sole and nailed heel of rubber compound. The shoe is lined with leath
For a boy: black leather with nailed sole and heel; Utility scheme; John White's brand made in England 1940-9. One of a pair of boy's shoes, made of black leather with a nailed leather sole and nailed heel of rubber compound. The shoe is lined with leath
For a boy: black leather with nailed sole and heel; Utility scheme; John White's brand made in England 1940-9. One of a pair of boy's shoes, made of black leather with a nailed lea...
Pair of shoe buckles, cut steel, leather, made by James Smith at the Soho Manufactory, Birmingham, about 1792-1806. Pair of shoe buckles, cut steel, leather, decorated with a faceted beaded rim and leather covered centre. The fastening is stamped, 'BOULTO
Pair of shoe buckles, cut steel, leather, made by James Smith at the Soho Manufactory, Birmingham, about 1792-1806. Pair of shoe buckles, cut steel, leather, decorated with a faceted beaded rim and leather covered centre. The fastening is stamped, 'BOULTO
Pair of shoe buckles, cut steel, leather, made by James Smith at the Soho Manufactory, Birmingham, about 1792-1806. Pair of shoe buckles, cut steel, leather, decorated with a facet...
Silver shoe buckle with steel prongs, London, about 1785-1795, possibly by Joshua Cooper or J. B. Cole. Shoe buckle silver with steel prongs. Oblong, decorated with an openwork rim of quatrefoils, enclosed between wavy borders and rosettes at each corner;
Silver shoe buckle with steel prongs, London, about 1785-1795, possibly by Joshua Cooper or J. B. Cole. Shoe buckle silver with steel prongs. Oblong, decorated with an openwork rim of quatrefoils, enclosed between wavy borders and rosettes at each corner;
Silver shoe buckle with steel prongs, London, about 1785-1795, possibly by Joshua Cooper or J. B. Cole. Shoe buckle silver with steel prongs. Oblong, decorated with an openwork rim...

